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Read through the most famous quotes by topic #graph
The photograph, then, becomes a representation of a representation of a disease that represents. In other words, in order to produce the most perfect images of hysteria, the hysteric – a woman whose illness simulates the symptoms of other diseases – was transformed, through hypnosis, into an artificial hysteric who perfectly simulated the simulations of hysteria. The medical photograph becomes a copy of a copy of a copy, a representation so far removed from the original that all duplicitous traits, were easily erased, leaving the deranged and chaotic nature of the original far behind. The photograph succeeded in turning the hysteric into a wholly artificial being, literally a flat, framed, unmoving image. ↗
#hysterics #image #photograph #women #nature
Dialogue in the works of autobiography is quite naturally viewed with some suspicion. How on earth can the writer remember verbatim conversations that happened fifteen, twenty, fifty years ago? But 'Are you playing, Bob?' is one of only four sentences I have ever uttered to any Arsenal player (for the record the others are 'How's the leg, Bob?' to Bob Wilson, recovering from injury the following season; 'Can I have your autograph, please?' to Charlie George, Pat Rice, Alan Ball and Bertie Mee; and, well, 'How's the leg, Brian?' to Brian Marwood outside the Arsenal club shop when I was old enough to know better) and I can therefore vouch for its absolute authenticity. ↗
I want pictures like these. The kind that can capture a moment, make it real, make it last. I need pictures that do more than reflect. I need pictures that are truth. ↗
#photography #truth #art
It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us. ↗
Readers usually ignore the typographic interface, gliding comfortably along literacy’s habitual groove. Sometimes, however, the interface should be allowed to fail. By making itself evident, typography can illuminate the construction and identity of a page, screen, place, or product. ↗
