#graph

We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium. ↗

— Ansel Adams

#ever #full #hold #into #just

Local politics, like everything else, are not what they used to be. But the fact is that our political system - like our physical existence - still breaks down along geographical lines. ↗

— Eric Alterman

#breaks #down #else #everything #existence

This marriage had resulted from impulse: he had seen her on a high-flying swing at Tsarkoe Selo and her skirt, flared by the breeze, had exposed her ankles; he had proposed the following day. ↗

— Robert K. Massie

#nonfiction #royalty #russia #marriage

You must value something highly to go to war to improve it ↗

— Deborah Laake

#religion #women #marriage

Yes, it is true that one generally needs to speak to the members of the key audience for a product or service. But as we are not trying to plumb an individual psyche for psychological motivation, but are rather trying to elucidate the relevant symbolic cultural meanings and practices, information garnered from those who do not like something is also relevant to understanding the cultural picture. In fact, contestation between points of view and meanings is a crucial aspect of the social dynamic. These nodal points of disagreement and different points of view can be precisely the most intriguing domains of cultural movement and thus new opportunities. ↗

— Patricia L. Sunderland

#culture #ethnography #research #social #motivational

Honouring the youth of their town they provided a décor that a £20-a-Martini fleecing parlour could not have amortized. They had bought eighty low Alvar Aalto stools for the alcove and coctail bar seating. Also, twenty tall numbers in the same bent bleach wood classic style. Extremely expensive and brought in from Finland at equally great expense. And in the first twelve months, ninety percent had disappeared. Compared to the catastrophic damage done every other week to one of the toilets just off the main dance floor --the level of masonry demolition going deep into the floor implied the use of a full-sized pneumatic drill-- the loss of a bunch of stools was incidental. The fact that thirty-two then turned up in New Order's rehearsal room was therefore coincidental. If you couldn't join in the public in stealing from your own club, what was the point of opening it? ↗

— Tony Wilson

#music #equality

Pong had mutated into large stand-up Sega consoles by '82 and here was some extra revenue the guys were well up for. So the space on the left of the entrance was to be the games room. Until two weeks to opening. "Where's the cloakroom?" "The what?" "The cloakroom, the fucking cloakroom." "What's your problem?" "We don't have a cloakroom. We have special polished South African granite bar tops that we haven't told Erasmus about 'cause he has a thing about apartheid, we have a balcony balustrade made of shaped QE-fucking-2 mahogany, but we seem to have built an entire club without a cloakroom." "Fuck." Hence you did not pass the games room but the cloakroom, the only cloakroom in the Manchester with forty-two power points. if you ever wanted to do a bit of ironing, these people were there for you. ↗

— Tony Wilson

#music #music

Catch on fire with enthusiasm, and people will come for miles to watch you burn ↗

— Jo Ann Butler

#historical-fiction #natural-history #nature

The photograph, then, becomes a representation of a representation of a disease that represents. In other words, in order to produce the most perfect images of hysteria, the hysteric – a woman whose illness simulates the symptoms of other diseases – was transformed, through hypnosis, into an artificial hysteric who perfectly simulated the simulations of hysteria. The medical photograph becomes a copy of a copy of a copy, a representation so far removed from the original that all duplicitous traits, were easily erased, leaving the deranged and chaotic nature of the original far behind. The photograph succeeded in turning the hysteric into a wholly artificial being, literally a flat, framed, unmoving image. ↗

— Asti Hustvedt

#hysterics #image #photograph #women #nature

The most pernicious message relayed by pornography is that women are natural sexual prey to men and love it; that sexuality and violence are congruent; and that for women sex is essentially masochistic, humiliation pleasurable, physical abuse erotic. But along with this message comes another, not always recognized: that enforced submission and the use of cruelty, if played out in heterosexual pairing, is sexually "normal," while sensuality between women, including erotic mutuality and respect, is "queer," "sick," and either pornographic in itself or not very exciting compared with the sexuality of whips and bondage. Pornography does not simply create a climate in which sex and violence are interchangeable; it widens the range of behavior considered acceptable from men in heterosexual intercourse-behavior which reiteratively strips women of their autonomy, dignity, and sexual potential, including the potential of loving and being loved by women in mutuality and integrity. ↗

— Adrienne Rich

#heterosexuality #pornography #women #love