#graph

One person can take papers, photograph them without getting excited, return them, and give them away without any scruples; while someone else has to overcome an enormous obstacle. ↗

— Markus Wolf

#away #else #enormous #excited #getting

From the ages of 8-18, me and my family moved around a lot. Mostly we would just stretch, but occasionally one of us would actually get up to go to the fridge. ↗

— Jarod Kintz

#family #funny #growing-up #humor #laziness

In the parlor was a huge camera on wheels like the ones used in public parks, and the backdrop of a marine twilight, painted with homemade paints, and the walls papered with pictures of children at memorable moments: the first Communion, the bunny costume, the happy birthday. Year after year, during contemplative pauses on afternoons of chess, Dr. Urbino had seen the gradual covering over of the walls, and he had often thought with a shudder of sorrow that in the gallery of casual portraits lay the germ of the future of the city, governed and corrupted by those unknown children, where note even the ashes of his glory would remain. ↗

— Gabriel Garcí­a Márquez

#children #future #photography #age

Time eventually positions most photographs, even the most amateurish, at the level of art. ↗

— Susan Sontag

#time #art

Keep shooting. It helps the model's confidence. Flashing strobes are like applause. ↗

— A.K. Nicholas

#nude #photography #beauty

His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. ↗

— G.K. Chesterton

#humourous #art

But artists didn't need to achieve "firsts", and Hughes wanted to be an artist. ↗

— Diane Wood Middlebrook

#education #hughes #education

Photographs don’t discriminate between the living and the dead. In the fragments of time and shards of light that compose them, everyone is equal. Now you see us; now you don’t. It doesn’t matter whether you look through a camera lens and press the shutter. It doesn’t even matter whether you open your eyes or close them. The pictures are always there. And so are the people in them. ↗

— Robert Goddard

#photography #time #equality

Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted. Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution. ↗

— Susan Sontag

#aesthetics #consumerism #photography #society #experience

The world is not sliding, but galloping into a new transnational dystopia. This development has not been properly recognized outside of national security circles. It has been hidden by secrecy, complexity and scale. The internet, our greatest tool of emancipation, has been transformed into the most dangerous facilitator of totalitarianism we have ever seen. The internet is a threat to human civilization. These transformations have come about silently, because those who know what is going on work in the global surveillance industry and have no incentives to speak out. Left to its own trajectory, within a few years, global civilization will be a postmodern surveillance dystopia, from which escape for all but the most skilled individuals will be impossible. In fact, we may already be there. While many writers have considered what the internet means for global civilization, they are wrong. They are wrong because they do not have the sense of perspective that direct experience brings. They are wrong because they have never met the enemy. ↗

— Julian Assange

#dystopia #fascism #government #internet #privacy