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Read through the most famous quotes by topic #hera
This is our story to tell. He says it in his Ten Commandements way it and it hits me that way: profoundly. You'd think for all the reading I do, I would have thought about this before, but I haven't. I've never once thought about the interpretative, the storytelling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever. You can tell your story any way you damn well please. It's your solo. ↗
Better for real things to be uncontrollable, better for one's life to be undecipherable and intellectually impenetrable than to attempt to make casual sense of what is unknown with a fantasy that is mad. Better, I thought, that the events of these past three days should remain incomprehensible to me forever than to posit, as I had just been doing, a conspiracy of foreign intelligence agents who are determined to control my mind. We've all heard that one before. ↗
-On sharing the love story of the Persian prince Khushraw and the niece of the queen of Armenia Shirin (who were looking for each other but in opposite directions): "Both lovers then departed, looking for each other in opposite directions, a theme universal in its pathos, because we all spend our brief lives doing just that, even if we physically share our beds with the same person every night for years. Always we carry an image in our head of a better person, of an ideal person, which blurs our chances of finding happiness. ↗
#love
Healing is not only a specific method, healing is also to invite another person into our own inner light, to invite another person into our presence, love, joy, acceptance, humor, understanding, playfulness, meditation and silence. Healing can also be a loving word, an understanding glance, a present touch, a silent listening or simply joking with another person and making him or her happy. Humor is also one of the strongest healing powers to see our situation and ourselves in a new and creative light. ↗
The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs. ↗
One of the things that therapists do if you are suicidal, like a trick, is ask you about the future. They want to know what your plans are. Do you want to be the president? Do you want to be a rock star? They want to know if you want to live later even if you want to die now. ↗
