If there's anything about the business that I love and that I'm extremely happy about, is that my career started at that time and that I met some of the greatest entertainers at that time and some are still here. ↗
It would probably take me an hour to two to write it down, get the feel of it, and that's with quite a few changes. It's not really a hard thing for me to do. ↗
Many times I've gone on tours with Paul Anka. He would have someone sitting behind him to keep people from even talking to him. You were almost in a little restricted area there. ↗
One of the members of the group, I can't remember which one, found out we were making $3 - $5,000 a night. We were getting a hundred dollars a week a piece. Everybody got upset about it. ↗
The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted. ↗
Those things don't happen today. I feel sorry for the kids in the industry today. They have on sunglasses, eat caviar in jet planes, but they'll never know the true feeling that we did. ↗
We were doing things with a hundred per cent feeling. It wasn't programmed. It wasn't asked for. It wasn't structured. It was just there. It was very raw. I don't think the industry would allow that to happen again. ↗
When I got involved with The Five Crowns who later became The Drifters, and we got this hit record, I still was looking at this as kind of a fun thing. ↗
