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Now, because we have spent so many years convincing the younger people that we are helpless, they believe that we are no longer of use to this world. ↗
(…) jest naiwnością mniemanie, jakoby zachwyt nasz wobec dzieła sztuki z nas samych pochodził: że zachwyt ten w sporej mierze nie rodzi się z ludzi, ale między ludźmi, i jest to tak jakbyśmy wzajemnie zmuszali się do zachwytu (choć nikt „osobiście” nie jest zachwycony). / It is naive to believe that the admiration for a masterpiece is spontaneous. The admiration, to a great extent, is not born within people but between people, as if we forced each other to admire (while no one is “personally” enraptured). (Dziennik, 1956, XX, Wtorek I) ↗
Sometimes it seems that we initiate a scene and sometimes it seems that we’re just taking part in the scene. Actually, we’re initiating them all. ↗
How do you not let things bother you? By placing yourself out of the physical and emotional range of that which is bothering you. ↗
... I find myself most drawn to: art that has arisen from a deeply personal conversation between the artist and the work at hand. It is art that walks perilously close to the Edge, that crosses the river of blood into Faerie, that flies so high it is scorched by the sun, and then returns to tell the tale to us. It is art that needed to be written, or painted, or sung, or woven, or otherwise shaped. It is art gifted by the Mystery to the maker...and then, in turn, gifted to us. ↗
The thing is you cannot imagine what is going to happen next. If you're imagining it - it's from your imagination. ↗
