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There is nothing in the world which an artist cannot recreate into something poetic, ennobling. And why do we read these things? They are not facts, they do not improve our business skills, our techniques in manufacturing goods, the management of a home. That is what most of you will be doing anyway. We read these because they teach us about people, we can see ourselves in them, in their problems. And by seeing ourselves in them, we clarify ourselves, we explain ourselves to ourselves, so we can live with ourselves… ↗
One simple answer is that there has been a massive rise in the incidence of sanctimony and smugness among the successful that has nothing to do with any change in the underlying reality. Rather, it has been stimulated by politicians who have realized that it is possible to win power by recruiting the most economically successful forty per cent or so of the population in a crusade to roll back the gains made by their fellow citizens in the previous forty years. And how better to rationalize this than to tell people that they deserve the incomes that the market generates? ↗
Tant que l'homme tolère d'avoir l'âme emplie de ses propres pensées, de ses pensées personnelles, il est entièrement soumis jusqu'au plus intime de ses pensées à la contrainte des besoins et au jeu mécanique de la force. S'il croit qu'il en est autrement, il est dans l'erreur. Mais tout change quand, par la vertu d'une véritable attention, il vide son âme pour y laisser pénétrer les pensées de la sagesse éternelle. ↗
Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity. ↗
