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So then, how can I trust you now?" Nathan asked. His tone was light, but his face was guarded. Now would be an ideal time for that kiss, my brain whispered, but I couldn't take the coward's way out. "Because," I said simply, "I'm in love with you. ↗
Dich hab ich nicht erreicht- Doch nähert Tag für Tag Sich dir mein Fuß Drei Flüsse noch und ein Berg Ich überqueren muss. Noch Eine Wüste, noch ein Meer, Die Reise aber zähl ich nicht, Wenn ich dann vor Dir steh. Wir schreiten leicht, wie Schnee wir stehen, die Wasser murmeln leis. Flüsse, Wüsten, Berg und Meer sind von uns durchlaufen. Doch Tod entreißt mir meinen Preis, Dich schauend, er gewinnt. ↗
I see now why they call it 'falling' in love. It's a tumble that catches you off guard, surprises you, scares you, bumps you around, sends you spinning into the dark. But eventually, you level out, and enjoy the rush of free fall. ↗
As for the body, it is solid and strong and curious and full of detail: it wants to polish itself; it wants to love another body; it is the only vessel in the world that can hold, in a mix of power and sweetness: words, song, gesture, passion, ideas, ingenuity, devotion, merriment, vanity, and virtue. ↗
I get all the arguments against it. I even get the one that says... "I don't know if I want to bring another kid into this world." But how do you argue with the logic of loving one that's already here? ↗
