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The American appetite for loneliness impressed me, and there was something about this solitude that freed conversation. One night at a bar, I met a man, and within five minutes he explained that he had just been released from prison. Another drinker told me that his wife had passed away, and he had recently suffered a heart attack, and now he hoped that he would die within the year. I learned that there's no reliable small talk in America; at any moment a conversation can become personal. ↗
Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair. ↗
You can't go to sleep without a cup of tea and maybe thats the reason that you talk in your sleep... ↗
In a world turned upside-down, where everything was wrong, bizarre, you could at least look up at the sky and see normality. Stars that shone regardless of who won a civil war, or who should or should not be a president. Their light was billions of years old. They didn't have a care... ↗
#eternal-war #normality #stars #war #bizarre
In my opinion, if, as the result of certain combinations, Kepler's or Newton's discoveries could become known to people in no other way than by sacrificing the lives of one, or ten, or a hundred or more people who were hindering the discovery, or standing as an obstacle in its path, then Newton would have the right, and it would even be his duty... to remove those ten or a hundred people, in order to make his discoveries known to mankind. It by no means follows from this, incidentally, that Newton should have the right to kill anyone he pleases, whomever happens along, or to steal from the market every day. Further, I recall developing in my article the idea that all... well, let's say, the lawgivers and founders of mankind, starting from the most ancient and going on to the Lycurguses, the Solons, the Muhammads, the Napoleons, and so forth, that all of them to a man were criminals, from the fact alone that in giving a new law, they thereby violated the old one, held sacred by society and passed down from their fathers, and they certainly did not stop at shedding blood either, if it happened that blood (sometimes quite innocent and shed valiantly for the ancient law) could help them. ↗
#genius #greatness #the-ends-justify-the-means #utilitarianism #marketing
Había leído lo bastante como para apreciar mi ingenio literario, pero no lo bastante como para identificar mis fuentes de conocimiento. Me encantan las mujeres así. Podía decirle cosas como: "La principal diferencia entre la felicidad y la alegría es que la felicidad es sólida, mientras que la alegría es líquida" y, escudándome en su ignorancia de Salinger, sentirme ingenioso, seductor y, porqué no decirlo, joven. Notaba que Ernie me miraba fijamente mientras yo me daba pisto, pero qué diablos, pensaba yo. Un hombre tiene derecho a flirtear. ↗
#español #flirting #literatura #literature #literature-quotes
