#literary

Hardy’s astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres he employs the lyric, narrative, ballads, and the sonnet. He also moves easily between the amplitude of dramatic monologue and the compression of imagism. He experiments continually with an ingenious variety of stanza forms and rhyme schemes, rejecting the fluidity of contemporary poetry for his own idiosyncratic style, based on a real understanding of the variety of speech rhythms and registers. Each individual poem is designed to express in its language and form, and with utter honesty, Hardy’s impressions of life. ↗

— Geoffrey Harvey

#design

At first I was glad for the help. My freshmen English class, "Mythology and Archetypal Experience," confounded me. I didn't understand why we couldn't just read books without forcing contorted interpretations on then ↗

— Alison Bechdel

#literary-criticism #university #experience

She realized, when relationships failed to last, it was not because love was no longer present, but because people had stopped believing in themselves and in their partners. ↗

— Christina Westover

#christina-westover #inspirational #literary-quote #love #poisoning-sylvie

Imagination and the pure delight in stories drive out fear. ↗

— William Paton Ker

#literary-theory #imagination

Literary studies were no more than a series of autopsies performed by heartless technicians. Worse than autopsies: biopsies. Vivisection. Even movies, which I love more than anything, more than life itself, they even do it with movies these days. ↗

— Stephen Fry

#life

I learned that it's okay to feel the way I do: that my life has no meaning unless I have a boyfriend. A real man is like the perfect vampire-boy and all the perfect guys in Twue Wuv. ↗

— Jess C. Scott

#anti-twilight #dark-humor #drugs #gluttony #heroin

If loving the written word is wrong...I don't want to be right! ↗

— Junnita Jackson

#junnita-jackson #literary-fiction #love

As we have seen, French culture and language interacted with native English culture for several generations after the Norman Conquest. A common word such as 'castle' is a French loan word, for example; and the whole romance tradition comes from the French. But this sensibility, culture, and language becomes integrated with native culture. As well as the beginnings of what came to be called a courtly love tradition, we can find in Early Middle English (around the time that Layamon was writing Brut) the growth of a local tradition of songs and ballads. ↗

— Ronald Carter

#love

Dark influences from the American past congregate among us still. If we are a democracy, what are we to make of the palpable elements of plutocracy, oligarchy, and mounting theocracy that rule our state? How do we address the self-inflicted catastrophes that devastated our natural environment? So large is our malaise that no single writer can encompass it. We have no Emerson or Whitman among us. An institutionalized counterculture condemns individuality as archaic and depreciates intellectual values, even in the universities. (The Anatomy of Influence) ↗

— Harold Bloom

#nature

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human. ↗

— Carlos Ruiz Zafón

#european-novelists #literary-tradition #literature-in-translation #art