#literary

It was as if they'd discovered something that had once been there but had gotten hidden or misunderstood or forgotten over time, and they were charmed by it once more, and by one another. Which seems only right and expectable for married people. They caught a glimpse of the person they fell in love with, and who sustained life. For some, that vision must never dim - as is true of me. But it was odd that our parents should catch their glimpse, and have frustration, anxiety and worry pass away like clouds dispersing after a storm, refind their best selves, but for that glimpse to happen just before landing our family in ruin. ↗

— Richard Ford

#crime #literary #marriage #family

I can see the singles ad now: ‘Three straight men, a gay man and a woman trapped in one body, seeks a lady willing to share her lipstick and shoes. A perfect match must enjoy cleaning automatic weapons, dividing anti-psychotic drugs into a weekly pill keeper, and long walks on the beach.’ The calls would just pour in. ↗

— Autumn Rosen

#men

Reading The Waste Land, then, is in part reading about reading in the early twentieth century. The crisis in epistemology brought on by the discrediting of objectivity is especially relevant to understanding the poem, because the problem of knowledge is itself one of its major subjects. Like Joyce, Valéry, and other contemporary writers, Eliot consciously adds a dimension in which his work is self-reflexive, a dimension in which it refers to itself and its nature as a linguistic structure, a dimension which incorporates the larger subject of the crisis in Western culture into the process of reading. The Waste Land contains, in addition to its many other gifts, a partial set of instructions on how to read in the twentieth century. We believe and shall try to demonstrate that Eliot's poem, in one of its aspects, is a brief and striking primer, a McGuffey's Eclectic Reader for the twentieth century. ↗

— Jewel Spears Brooker

#nature

We have then, in the first part of The Faerie Queene, four of the seven deadly sins depicted in the more important passages of the four several books; those sins being much more elaborately and powerfully represented than the virtues, which are opposed to them, and which are personified in the titular heroes of the respective books. The alteration which made these personified virtues the centre each of a book was probably part of the reconstruction on the basis of Aristotle Ethics. The nature of the debt to Aristotle suggests that Spenser did not borrow directly from the Greek, but by way of modern translations. ↗

— Janet Spens

#nature

Taxi-drivers in Frankfurt are said to dislike the annual Book Fair because literary folk, instead of being shuttled to prostitutes like respectable members of other convening professions, prefer to stay in their hotels and fuck one another ↗

— Julian Barnes

#sex #respect

The critical method which denies literary modernity would appear - and even, in certain respects, would be - the most modern of critical movements. ↗

— Paul de Man

#certain #critical #denies #even #literary

I'm not against asking the audience to work, but I think what you have now is a sort of gratuitous deconstruction as a result of a fashion of literary deconstructionism indicating that there are no meanings. ↗

— Jonathan Miller

#asking #audience #deconstruction #fashion #gratuitous

If the relation of morality to art were based simply on the demand that art be concerned with values, then almost every author should satisfy it even if he wrote with his prick while asleep. (Puritans will object to the language in that sentence, and feminists to the organ, and neither will admire or even notice how it was phrased.) ↗

— William H. Gass

#art

Apollinaire said a poet should be 'of his time.' I say objects of the Digital Age belong in newspapers, not literature. When I read a novel, I don’t want credit cards; I want cash in ducats and gold doubloons. ↗

— Roman Payne

#cash #credit-cards #digital-age #gold #literary-style

Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten. ↗

— Chinua Achebe

#african #african-authors #african-literature #literary-fiction #literary-quotes