#literary

We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends. ↗

— Vaclav Klaus

#also #became #board #broad #called

Anonymous sources are a practice of American journalism in the 20th and 21st century, a relatively recent practice. The literary tradition of anonymity goes back to the Bible. ↗

— Joe Klein

#american #anonymity #anonymous #back #bible

The critical method which denies literary modernity would appear - and even, in certain respects, would be - the most modern of critical movements. ↗

— Paul de Man

#certain #critical #denies #even #literary

Plato wove historical fact into literary myth. ↗

— Michael Shermer

#historical #historical fact #into #literary #myth

Apollinaire said a poet should be 'of his time.' I say objects of the Digital Age belong in newspapers, not literature. When I read a novel, I don’t want credit cards; I want cash in ducats and gold doubloons. ↗

— Roman Payne

#cash #credit-cards #digital-age #gold #literary-style

Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten. ↗

— Chinua Achebe

#african #african-authors #african-literature #literary-fiction #literary-quotes

it strikes me that the writers most deeply concerned with the state of literary fiction and its biases against women could do a lot worse than trying to coin some terms of their own: to name the archetypes they wish to invert or criticise and thereby open up the discussion. If authors can be thought of as magicians in any sense, then the root of our power has always rested with words: choosing them, arranging them and – most powerfully – inventing them. Sexism won’t go away overnight, and nor will literary bias. But until then, if we’re determined to invest ourselves in bringing about those changes, it only makes sense to arm ourselves with a language that we, and not our enemies, have chosen. May 14, 2011 Blog post ↗

— Foz Meadows

#importance-of-words #language #literary-bias #writings #change

Recognising such dimensions implicit to the reading experience can distract from the immediacy of our response; it can substitute literary archaeology for novelistic reality. That is one pole. But the other extreme is equally limiting. By failing to realise the issues involved in communicating with fictional modes that are different to our own, in effect we do not read in the fullest sense. Between intellectual pedantry and cultivated ignorance I would pose a third approach to reading—that of the informed imagination. After occupying this position true evaluation can begin. ↗

— Ian Gregor

#communication

The first unanalysed impression that most readers receive from Jane Eyre is that it has a very violent atmosphere. If this were simply the effect of the plot and the imagined events then sensation novels like Walpole's The Castle of Otranto or Mrs Radcliffe's The Mystery of Udolpho ought to produce it even more powerfully. But they do not. Nor do they even arouse particularly strong reader responses. Novelists like Charlotte Brontë or D. H. Lawrence, on the other hand, are able quite quickly to provoke marked reactions of sympathy or hostility from readers. The reason, apparently, is that the narrator's personality is communicating itself through the style with unusual directness. ↗

— Ian Gregor

#communication

Everywhere I go, I am asked if I think university stifles writers. My opinion is that it doesn't stifle enough of them. ↗

— Flannery O'Connor

#humour #literary-criticism #writing #education