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#literature

Read through the most famous quotes by topic #literature




Perfection seems sterile; it is final, no mystery in it; it's a product of an assembly line. ↗


— Dejan Stojanovic


#assembly-line #dejan-stojanovic #final #literature #literature-quotes

En el muro de Facebook hay una opción que te permite añadir "Me gusta" al comentario o la foto de otro internauta. El pictograma es una mano cerrada con el pulgar hacia arriba. También ofrece la posibilidad, en caso de arrepentimiento, de sustituirlo por un "Ya no me gusta". Eso es todo. La red social de Zuckerberg no admite la alternativa de matizar esa adhesión o ese arrepentimiento con algún estado intermedio, quizá titubeante o más gaseoso. Sólo acepta la rotundidad de un sí o un no, del blanco o el negro, con el pulgar hacia arriba o hacia abajo, sin medias tintas. La duda ha sido expulsada de esta arcadia digital y condenada a vagar por el desierto de territorios más lejanos y lentos, es decir, más literarios [...] Ahora bien, pensar consiste justamente en lo contrario. Pensar implica el compromiso radical de ir un paso más allá del "Me gusta" o "No me gusta", de suspender la fase infantil de la imposición caprichosa de nuestros antojos. Aquí no sirve eso tan socorrido del "Porque lo digo yo" y el puñetazo en la mesa. Hay que razonar, justificar, argumentar con palabras de peso nuestro amor, nuestro rechazo, lo cual es complicado e incómodo, ya que puedes equivocarte o quedar en ridículo. O puedes caer en la paradoja de aquel personaje de Monterroso, un escritor cuya esposa, tras desvelar los hábitos de trabajo de él, concluía: «Cuando no se le ocurre nada escribe pensamientos». ↗


— Eloy Tizón


#literature #art

In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty. ↗


— Rabindranath Tagore


#caprice #first-step #freedom #grammar #hidden-reason

In the only sense that matters the surprise works as well the twentieth time as the first. It is the quality of unexpectedness, not the fact that delights us. It is even better the second time. Knowing that the 'surprise' is coming we can now fully relish the fact that this path through the shrubbery doesn't look as if it were suddenly going to bring us out on the edge of the cliff. So in literature. We do not enjoy a story fully at the first reading. Not till the curiosity, the sheer narrative lust, has been given its sop and laid asleep, are we are leisure to savour the real beauties. Till then, it is like wasting great wine on a ravenous natural thirst which merely wants cold wetness. The children understand this well when they ask for the same story over and over again, and in the same words. They want to have again the 'surprise' of discovering that what seemed Little Red Riding Hood's grandmother is really the wolf. It is better when you know it is coming: free from the shock of actual surprise you can attend better to the intrinsic surprisingness of the peripeteia. ↗


— C.S. Lewis


#beauty

I'm planting a tree to teach me to gather strength from my deepest roots. ↗


— Andrea Koehle Jones


#children-s-books #children-s-literature #roots #strength-of-character #tree-of-life

You are not to take it, if you please, as the saying of an ignorant man, when I express my opinion that such a book as ROBINSON CRUSOE never was written, and never will be written again. I have tried that book for years—generally in combination with a pipe of tobacco—and I have found it my friend in need in all the necessities of this mortal life. When my spirits are bad—ROBINSON CRUSOE. When I want advice—ROBINSON CRUSOE. In past times when my wife plagued me; in present times when I have had a drop too much—ROBINSON CRUSOE. I have worn out six stout ROBINSON CRUSOES with hard work in my service. On my lady's last birthday she gave me a seventh. I took a drop too much on the strength of it; and ROBINSON CRUSOE put me right again. Price four shillings and sixpence, bound in blue, with a picture into the bargain. ↗


— Wilkie Collins


#life

The Bohemian who tires of life, who gives up by retirement into insamity or suicide, is not necessarily one who had failed in what he wants to express. ↗


— Emily Hahn


#life

And literature frequently rises to heights that make it international. ↗


— Irving Langmuir


#heights #international #literature #make #rises

Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself. ↗


— Samuel Butler


#anything #architecture #else #every #himself

The narrative of serial art works more like music than like literature. ↗


— Sol LeWitt


#like #literature #more #music #narrative






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