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The music brought us what it seemed / We had long desired, but in a form / so rarefied there was no emptiness of sensation ↗
[Hades] returned his attention to the playlist while I eased the car back on the road. His fingers flipped deftly over the screen. 'Orpheus...Dusk...Orpheus...Dusk...do you have anything on here that doesn't make people want to jump off a cliff?' ... 'I'm driving. When you learn to drive something more modern than a horse and buggy, we can listen to your music.' 'I can drive!' 'Did they even have cars the last time you can to the surface?' I teased. 'Yes.' 'Not counting the minute and a half you spent rescuing me last year?' Hades fell silent, and I laughed. 'I didn't think so. ↗
The last time I heard an orthodox Marxist statement that was music to my ears was from a member of the Rwanda Patriotic Front, during the mass slaughter in the country. 'The terms Hutu and Tutsi,' he said severely, 'are merely ideological constructs, describing different relationships to the means and mode of production.' But of course! ↗
#ideology #marxism #rwanda #rwandan-genocide #rwandan-patriotic-front
As with outlaw figures, in diverse musical and oral cultures throughout the world- Mexican corridos and Egyptian shaabi music, for example- Hip Hop's irreverence toward dominant values and noncompliance with the status quo creates alternative, counterhegemonic spaces. ↗
While the Eternal Feminine in Faust II still appears in personalized form as the Madonna, she works her effects in The Magic Flute as an invisible spiritual power, as music. But this music is the expression of divine love itself, which unites law and freedom, above and below, in the wisdom of the heart and of love. As harmony, it grants humankind divine peace and rules the world as the highest divinity. From the earliest times, magic and music have stood under the rule of the Archetypal Feminine, which in myth and fairy tale is also the mistress of transformation, intoxication, and enchanting sound. Thus it is quite understandable that it is precisely this feminine principle that bestows the magical instruments. The Orpheus motif of the magical taming of the animal energies through music belongs to her, for as mistress of the animals the Great Goddess rules the world of wild as well as tame creatures. She can transform things and people into animal form, tame the animal, and enchant it because, like music, she is able to make the tame wild and the wild tame with the power of her magic. ↗
This ground itself needs to be properly accounted for by that for which it accounts, that is, by the causation through the supremely original matter – and that is the cause as causa sui. This is the right name for the god of philosophy. Man can neither pray nor sacrifice to this god. Before the causa sui, man can neither fall to his knees in awe nor can he play music and dance before this god. ↗
Interesting how fashion is cyclical,” Jaccob said when she came out of the store with two black plastic bags. “Goth was the look when I was young, too.” “It’s not a look,” Chuck said. “I’m just wearing my feelings on the outside.” “Uh huh.” His phone buzzed. “Hang on a second." He rolled up his sleeve to check his HUD, but the call hadn’t come through there. Huh. He had to pick up his phone and check the read-out, which listed a phone number: an old school page. “That’s funny…” “Dad, you’re doing that thing again,” Chuck said. “What thing?” Jaccob asked. “That thing where you have to check every single doohickey you carry around.” “I am not.” Jaccob took his hand out of his coat pocket, where he’d been reaching to check his police scanner or music player (he hadn’t decided which to use first). ↗
