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It’s easy to point out someone else’s mistake, harder to recognize your own. Especially because most people—except the lucky few like ourselves—are forced to live with their mistakes. So they learn to justify their mistakes, build on them, until they can look back and convince themselves that their mistake was inevitable all along, a good choice, in fact. An unwed teenage mother can look back at her unexpected pregnancy fondly six years down the road once the child’s out of her hair and in school all day. She wouldn’t dare go back and fix that mistake because it’s become part of her life. ↗
The enduring attraction of war is this: Even with its destruction and carnage it can give us what we long for in life. It can give us purpose, meaning, a reason for living. Only when we are in the midst of conflict does the shallowness and vapidness of much of our lives become apparent. Trivia dominates our conversations and increasingly our airwaves. And war is an enticing elixir. It gives us resolve, a cause. It allows us to be noble. And those who have the least meaning in their lives, the impoverished refugees in Gaza, the disenfranchised North African immigrants in France, even the legions of young who live in the splendid indolence and safety of the industrialized world, are all susceptible to war's appeal. ↗
Like an unfinished symphony, her story played on my mind for most of my life. It would rock to the tune of the passage of time, an adagio of high notes, low notes an illusive movements. Then when I least expected it, I happened upon the missing notes in the life of Charlotte Howe Taylor. ↗
#adventure-romance #adventuresome-women #canadian #historical #native-american
Lots of talk lately about the GREAT AMERICAN NOVEL that seems to be exclusively masculine. And how many of the characters in the GENIUS BOOKS are likable? Is Holden Caulfield likable? Is Meursault in The Stranger? Is Henry Miller? Is any character in any of these system novels particularly likable? Aren’t they usually loathsome but human, etc., loathsome and neurotic and obsessed? In my memory, all the characters in Jonathan Franzen are total douchebags (I know, I know, I’m not supposed to use that, feminine imagery, whatever, but it is SO satisfying to say and think). How about female characters in the genius books? Was Madame Bovary likable? Was Anna Karenina? Is Daisy Buchanan likable? Is Daisy Miller? Is it the specific way in which supposed readers HATE unlikable female characters (who are too depressed, too crazy, too vain, too self-involved, too bored, too boring), that mirrors the specific way in which people HATE unlikable girls and women for the same qualities? We do not allow, really, the notion of the antiheroine, as penned by women, because we confuse the autobiographical, and we pass judgment on the female author for her terrible self-involved and indulgent life. We do not hate Scott Fitzgerald in “The Crack-Up” or Georges Bataille in Guilty for being drunken and totally wading in their own pathos, but Jean Rhys is too much of a victim. ↗
Companionship was at the top of Epicurus's list of life's pleasures. He wrote, 'Of all the things that wisdom provides to help one live one's entire life in happiness, the greatest by far is the possession of friendship. ↗
Why do magazine do this to women?" Miranda complains now, glaring at Vogue. "It's all about creating insecurity. Trying to make women feel like they're not good enough. And when women don't feel like they're good enough guess what?" "What?" I (Carrie) ask, picking up the grocery bad, "Men win. That's how they keen us down" she concludes ↗
