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Read through the most famous quotes by topic #ma
Not to grow up properly is to retain our 'caterpillar' quality from childhood (where it is a virtue) into adulthood (where it becomes a vice). In childhood our credulity serves us well. It helps us to pack, with extraordinary rapidity, our skulls full of the wisdom of our parents and our ancestors. But if we don't grow out of it in the fullness of time, our caterpillar nature makes us a sitting target for astrologers, mediums, gurus, evangelists and quacks. The genius of the human child, mental caterpillar extraordinary, is for soaking up information and ideas, not for criticizing them. If critical faculties later grow it will be in spite of, not because of, the inclinations of childhood. The blotting paper of the child's brain is the unpromising seedbed, the base upon which later the sceptical attitude, like a struggling mustard plant, may possibly grow. We need to replace the automatic credulity of childhood with the constructive scepticism of adult science. ↗
I would not hurt you, little man,' he said. 'I think that I got the disorder in Mullingar,' I explained. I knew that I had gained his confidence and that the danger of violence was now passed. He then did something which took me by surprise. He pulled up his own ragged trouser and showed me his own left leg. It was smooth, shapely and fairly fat but it was made of wood also. 'That is a funny coincidence,' I said. I now perceived the reason for his sudden change of attitude. 'You are a sweet man,' he responded, 'and I would not lay a finger on your personality. I am the captain of all the one-legged men in the country. I knew them all up to now except one—your own self—and that one is now also my friend into the same bargain. If any man looks at you sideways, I will rip his belly.' 'That is very friendly talk,' I said. 'Wide open,' he said, making a wide movement with his hands. 'If you are ever troubled, send for me and I will save you from the woman.' 'Women I have no interest in at all,' I said smiling. 'A fiddle is a better thing for diversion.' 'It does not matter. If your perplexity is an army or a dog, I will come with all the one-leggèd men and rip the bellies. My real name is Martin Finnucane.' 'It is a reasonable name,' I assented. 'Martin Finnucane,' he repeated, listening to his own voice as if he were listening to the sweetest music in the world. ↗
Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him - for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood, Yet, what a real living human being is made of seems to be less understood today than at any time before, and men - each one of whom represents a unique and valuable experiment on the part of nature - are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, storytelling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross. ↗
Other mages have an odd attitude towards diviners. By the standards of, say, elemental mages. We can't gate, we can't attack, we can't shield, and when it comes to physical action our magic is about as useful as a bicycle in a trampolining contest. But we can see anywhere and learn anything and there's no secret we can't uncover if we try hard enough. So when an elemental mage looks at a diviner, the elemental mage knows he could take him in a straight fight with no more effort that it would take to tie his shoes. On the other hand, the elemental mage also knows that the diviner could find out every one of his most dirty and embarrassing secrets and, should hi feel like it, post copies of them to everyone the elemental mage has ever met. It creates a mixture of uneasiness and contempt that doesn't encourage warm feelings. There's a reason most of my friends aren't mages. ↗
Activities such as chanting, bowing, and sitting in zazen are not at all wasted, even when done merely formally, for even this superficial encounter with the Dharma will have some wholesome outcome at a later time. However, it must be said in the most unambiguous terms that this is not real Zen. To follow the Dharma involves a complete reorientation of one's life in such a way that one's activities are manifestations of, and are filled with, a deeper meaning. If it were not otherwise, and merely sitting in zazen were enough, every frog in the pond would be enlightened, as one Zen master said. Dōgen Zenji himself said that one must practice Zen with the attitude of a person trying to extinguish a fire in his hair. That is, Zen must be practiced with an attitude of single-minded urgency. ↗
#dharma #focus #frogs #meditation #urgency
Writing my own novels in the '90s...I never imagined that in ten years, science and rationality would require explanation and defense in a world rocked and ruled by religious fervor. ↗
People who go to Disney who have magic in themselves experience magic there, just as people who go to the grocery store who have magic in themselves experience magic at the grocery store. The principle is simple: fun, joy, and happiness, are something we bring to life, not something life, circumstance, or situation bring to us. There are truly no magic kingdoms, only magic people. Fun, joy and happiness are choices, orientations, approaches, attitudes, a way of living in the world, not the world itself... ↗
#disney-world #disneyland #happiness #happiness-choices #happiness-life
Although contemplating the nature of the body highlights its less attractive features, the purpose of the exercise is not to demonize the body. While it is certainly true that at times the discourses describe the human body in rather negative terms, some of these instances occur in a particular context in which the point being made is that the speakers in question have overcome all attachment to their body. In contrast, the Kāyagatāsati Sutta takes the physical bliss of absorption attainment as an object for body contemplation. This passage clearly demonstrates that contemplation of the body is not necessarily linked to repugnance and loathing. The purpose of contemplating the nature of the body is to bring its unattractive aspects to the forefront of one's attention, thereby placing the attractive aspects previously emphasized in a more balanced context. The aim is a balanced and detached attitude towards the body. With such a balanced attitude, one sees the body merely as a product of conditions, a product with which one need not identify. ↗
#body-image #buddhism #contemplation #detachment #meditation
Imperial is like Robert Caro’s The Power Broker with the attitude of Mike Davis’s City of Quartz, if Robert Caro had been raised in an abandoned grain silo by a band of feral raccoons, and if Mike Davis were the communications director of a heavily armed libertarian survivalist cult, and if the two of them had somehow managed to stitch John McPhee’s cortex onto the brain of a Gila monster, which they then sent to the Mexican border to conduct ten years of immersive research, and also if they wrote the entire manuscript on dried banana leaves with a toucan beak dipped in hobo blood, and then the book was line-edited during a 36-hour peyote séance by the ghosts of John Steinbeck, Jack London, and Sinclair Lewis, with 200 pages of endnotes faxed over by Henry David Thoreau’s great-great-great-great grandson from a concrete bunker under a toxic pond behind a maquiladora, and if at the last minute Herman Melville threw up all over the manuscript, rendering it illegible, so it had to be re-created from memory by a community-theater actor doing his best impression of Jack Kerouac. With photographs by Dorothea Lange. (Viking has my full blessing to use that as a blurb.) ↗
