I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me. ↗
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now. ↗
If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes. ↗
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major. ↗
I was always looking to record, but how much I actually pursued it was another thing. The major labels weren't that interested in me, and the smaller labels didn't have any money to do anything. ↗