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What I’ve noticed in a lot of other cartoonists is a sullen resentfulness about their lack of attention and tiny checking accounts. I vowed back in the days when I had no money that I would not allow that kind of bitterness to overtake me. . . . Cartooning, in general, is a very solitary occupation, and it breeds all sorts of self-punishing thinking ↗
Going out? Are you going out? He's not going out? What do you mean he's not going out? Are you out here because you're still mad that they moved the Dodgers to L.A.? Are you going out or not? You're not going out? I guess you're not going out — huh? You mean go out parking in the evenings? Are you going out to park? Mr. Tepper, he asked at one point, did you ever — if you were in the middle of an interesting story in the paper or perhaps an interesting conversation with somebody who dropped in to talk to you while you were parking — notice that the meter had run out and therefore go out and put more money in the meter? If we're both keeping an eye out, what does it hurt? ↗
The day after I turn pro, Philly gets a call from Nike. They want to meet with me about an endorsement deal. Philly and I meet the Nike man in Newport beach, at a restaurant called the Rusty Pelican. His name is Ian Hamilton. I call him Mr. Hamilton, but he says I should call him Ian. He smiles in a way that makes me trust him instantly. Philly, however, remains wary. Boys, Ian says, I think Andre has a very bright future. Thank you. I'd like Nike to be a part of that future, to be a partner in that future. Thank you. I'd like to offer you a two-year contract. Thank you. During which time Nike will provide all your gear, and pay you $20,ooo. For both years? For eacvh year. Ah. Philly jumps in. What would Andre have to do in exchange for this money? Ian looks confused. Well, he says, Andre would have to do what Andre has been doing, son. Keep being Andre. And wear Nike stuff. ↗
It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was. ↗
Tommy, you're a good little man, but you can't gamble worth a cent. Don't try it over again.' He then handed him his money back, pushed him gently from the room, and so made a devoted slave of Tom Simson. ↗
