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Read through the most famous quotes by topic #modern
Whereas modern cynicism brought despair about the ability of the human species to realize laudable ideals, postmodern cynicism doesn't — not because it's optimistic, but because it can't take ideals seriously in the first place. The prevailing attitude is Absurdism. A postmodern magazine may be irreverent, but not bitterly irreverent, for it's not purposefully irreverent; its aim is indiscriminate, because everyone is equally ridiculous. And anyway, there's no moral basis for passing judgment. Just sit back and enjoy the show. ↗
If the meaning of life has become doubtful, if one's relations to others and to oneself do not offer security, then fame is one means to silence one's doubts. It has a function to be compared with that of the Egyptian pyramids or the Christian faith in immortality: it elevates one's individual life from its limitations and instability to the plane of indestructability; if one's name is known to one's contemporaries and if one can hope that it will last for centuries, then one's life has meaning and significance by this very reflection of it in the judgments of others. ↗
#freedom #modern-relationships #philosophy #society #western-culture
The moderns, carrying little baggage of the kind that Shelly called "merely cultural," not even living in the traditional air, but breathing into their space helmets a scientific mixture of synthetic gases (and polluted at that) are the true pioneers. Their circuitry seems to include no atavistic domestic sentiment, they have suffered empathectomy, their computers hum no ghostly feedback of Home, Sweet Home. How marvelously free they are! How unutterably deprived! ↗
---In his major phase, he[Conrad] was "ahead of his times" in ideas and techniques;and this was because he was more intelligently and perceptively of his times than most writers then were. In his vigilant response to 19th century preoccupations, he anticipated--often critically--many 20th century preoccupations. He was a versatile intermediary between the Romantic and Victorian traditions and the innovations of Modernism. ↗
Nin knew how much humans loved money, riches, and material things—though he never really could understand why. The more technologically advanced the human species got, the more isolated they seemed to become, at the same time. It was alarming, how humans could spend entire lifetimes engaged in all kinds of activities, without getting any closer to knowing who they really were, inside. ↗
The whole tendency of modern life is towards scientific planning and organisation, central control, standardisation, and specialisation. If this tendency was left to work itself out to its extreme conclusion, one might expect to see the state transformed into an immense social machine, all the individual components of which are strictly limited to the performance of a definite and specialised function, where there could be no freedom because the machine could only work smoothly as long as every wheel and cog performed its task with unvarying regularity. Now the nearer modern society comes to the state of total organisation, the more difficult it is to find any place for spiritual freedom and personal responsibility. Education itself becomes an essential part of the machine, for the mind has to be as completely measured and controlled by the techniques of the scientific expert as the task which it is being trained to perform. ↗
In this atmosphere of general discouragement, it is tempting to attack something that is sufficiently linked to the powers-that-be so as not to appear very sympathetic, but sufficiently weak to be a more-or-less accessible target (since the concentration of power and money are beyond reach). Science fulfills these conditions, and this partly explains the attacks against it. ↗
The loss of quality that is so evident at every level of spectacular language, from the objects it glorifies to the behavior it regulates, stems from the basic nature of a production system that shuns reality. The commodity form reduces everything to quantitative equivalence. The quantitative is what it develops, and it can develop only within the quantitative. ↗
#commodity-production #culture #modernity #the-last-man #nature
Shakespeare, in some sense, helped create the modern man, didn't he, his influence is that pervasive. He held the mirror up to nature, but he also created that mirror: so the image he created is the very one we hold ourselves up to. ↗
#modern-man #nature #pervasive-influence-of-the-bard #shakespeare #nature
