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I had a nightmare about the Averys’ sweet-tempered German shepherd, Ina. In the dream, as I was sitting on the floor in the Averys’ living room, the dog walked up to me and began to insult me. She said I was a frivolous, cynical, attention-seeking “fag” whose entire life had been phony. I answered her frivolously and cynically and chucked her under the chin. She grinned at me with malice, as if to make clear that she understood me to the core. Then she sank her teeth into my arm. As I fell over backward, she went for my throat. ↗
Look, suppose that there was one among all those who desire nothing but material and filthy lucre, that one, at least, is like my old Inquisitor, who himself ate roots in the desert and raved, overcoming his flesh, in order to make himself free and perfect, but who still loved mankind all his life, and suddenly opened his eyes and he saw that there is no great moral blessedness in achieving perfection of the will only to become convinced, at the same time, that millions of the rest of God's creatures have been set up only for mockery, that they will never be strong enough to manage their freedom, that from such pitiful rebels will never come giants to complete the tower, that it was not for such geese that the great idealist dreamt his dream of harmony. ↗
I had a dream about you. You told me you loved me, and then you stabbed me with a spoon. Luckily, moments before your attack, I assumed the identity of a bowl of Jell-O. Later on in the dream, as a half-eaten bowl of Jell-O, I launched a successful political campaign, got elected, and moved to Washington DC. ↗
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But the Australians, what do the Australians do? How do they structure their landscape? For a start they postulate a primal builder, whose work they presume only to interpret: the mythical animal who was active in the “dreamtime,” that is, a primal era, beyond verification, as the name indicates. A time of sleep. The visible landscape is an effect of causes that are to be found in the dreamtime. For example, the snake that dragged itself over this plain creating these undulations, etc., etc. These.. curious Aborigines make sure their eyes are closed while events take place, which allows them to see places as records of events. But what they see is a kind of dream, and they wake into a reverie, since the real story (the snake, not the hills) happened while they were asleep. ↗
