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New Yorkers love the bigness -- the skyscrapers, the freedom, the lights. But they also love it when they can carve out some smallness for themselves. When the guy at the corner store knows which newspaper you want. When the barista has your order ready before you open your mouth. When you start to recognize the people in your orbit, and you know that, say, if you're waiting for the subway at eight fifteen on the dot, odds are the redhead with the red umbrella is going to be there too. ↗
I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping behind you, and nobody even looks at you funny. ↗
The attention for bad literature is symptomatic: they pretends its the most normal thing in the world to fill an entire newspaper page with talk about a bad book, and good books are silenced to death. This mechanism is exactly the same formula as used in the Eurovision Songfestival: to present monoculture, and the proverbial hatred for that monoculture is only ritualistic, intended to give the reader the impression that the newspaper is on their side. Its the formula of entertainment: present things the reader can feel superior to. ↗
