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Winter Liar" by Liam Doyle the Incubus What come once here will never come again, no matter monument nor memory; all sunwarmed green succumbs to winter's wind. And you, my love, were also my best friend, and had your life to live. The tragedy was not just my youth's recklessness, although I trusted much to impulse, whim, freedom, a destiny excluding doom. Frankly, youth can be our insanity. But now I'm cured of that fever, although the price was high; and chilly April wind can only sigh at my regrets, yet sun will brighten wind so, one knows that soon green stirs, and wild bees hum. And summer once more will make winter liar, but I won't warm. You're all I'll ever desire. ↗
[I]f the name of wife appears more sacred and more valid, sweeter to me is ever the word friend, or, if thou be not ashamed, concubine ... And thou thyself wert not wholly unmindful of that ... [as in the narrative of thy misfortunes] thou hast not disdained to set forth sundry reasons by which I tried to dissuade thee from our marriage, from an ill-starred bed; but wert silent as to many, in which I preferred love to wedlock, freedom to a bond. I call God to witness, if Augustus, ruling over the whole world, were to deem me worthy of the honour of marriage, and to confirm the whole world to me, to be ruled by me forever, dearer to me and of greater dignity would it seem to be called thy concubine than his empress. ↗
Like that breeder-woman sitting at the bar, who thinks it's a buzz to go into a gay joint and has no doubt heard somewhere that this is one. Her lurid get-up's a joke, ludicrous. She's the type who dons the camouflage-green combat trousers, wraps a bandanna around her head and paints herself with black lipstick, imagining all the lesbians in the joint'll have the hots for her. Not so much imagining as secretly hoping. Naturally, no one goes and sits with her. She's been here before, and everyone gives the ice-cold shoulder, yet she still turns up again and again. Someone might argue we're zoo animals for her. But I've another theory. For her, we're noble savages, a kind of grey area outside the respectable, minutely organized community, an untamed wilderness it takes a lot of guts to step into. But if you do dare, there's a glorious smell of freedom floating around your trousers and giving the finger to society, making whoever an instant anarchist. Certainly, for her, coming here is like putting a washable tattoo on your shoulder : there's the thrill of deviance with none of the dull commitment - and she'll never have to wonder whether she's too weird to be seen out before dark. ↗
#glbtq #herbert-lomas-translation #heteronormativity #lesbians #not-before-sundown
Civilization has given us enormous successes: going to the moon, technology. But then this is the civilisation that took us to debt, environmental crisis, every single crisis. We need a civilization where we say goodbye to these things. ↗
When her blue-black eyes lifted to his, everything disappeared. Their bodies dematerialized. The room they were in ceased to exist. Time became nothing. And in the void, in the wormhold, Wrath's chest opened up sure as if he'd been shot, a piercing pain licking over his nerve endings. He knew then that there are many ways for a heart to break. Sometimes it's from the crowding of life, the compression of responsibility and birthright and burden that just squeezed you until you couldn't breathe anymore. Even though your lungs were working just fine. And sometimes it's from the casual cruelty of a fate that took you far from where you had thought you would end up. And sometimes it's age in the face of youth. Or sickness in the face of health. But sometimes it's just because you're looking into the eyes of your lover, and your gratitude for having them in your life overflows...because you showed them what was on the inside and they didn't run scared or turn away: they accepted you and loved you and held you in the midst of your passion or your fear...or your combination of both. Wrath closed his eyes and focused on the soft pulls at his wrist. God, they were just like the beat of his heart. Which made sense. Because she was the center of his chest. And the center of his world. ↗
Where did you meet?” he pressed on. I shrugged and considered a little rephrasing. “I was out for a run.” “From who?” I leaned back to take a long, very long, slow sip of that beer. Knox leaned forward. “I think we’re both bullsh*tting here, you ever play that card game?” “With my grandma, every Sunday after church. ↗
[R]aging crime, class warfare, invasive immigrants, light morals, public misbehavior. Always we convince ourselves that the parade of unwelcome and despised is a new phenomenon, which is why the phrase "the good old days" has passed from cliché to self-parody. ↗
[Women] complain about many clerks who attribute all sorts of faults to them and who compose works about them in rhyme, prose, and verse, criticizing their conduct in a variety of different ways. They then give these works as elementary textbooks to their young pupils at the beginning of their schooling, to provide them with exempla and received wisdom, so that they will remember this teaching when they come of age ... They accuse [women] of many ... serious vice[s] and are very critical of them, finding no excuse for them whatsoever. This is the way clerks behave day and night, composing their verse now in French, now in Latin. And they base their opinions on goodness only knows which books, which are more mendacious than a drunk. Ovid, in a book he wrote called Cures for Love, says many evil things about women, and I think he was wrong to do this. He accuses them of gross immorality, of filthy, vile, and wicked behaviour. (I disagree with him that they have such vices and promise to champion them in the fight against anyone who would like to throw down the gauntlet ...) Thus, clerks have studied this book since their early childhood as their grammar primer and then teach it to others so that no man will undertake to love a woman. ↗
