Noir is dead for me because historically, I think it's a simple view. I've taken it as far as it can go. I think I've expanded on it a great deal, taken it further than any other American novelist. ↗
We all now tell stories by cutting from one dramatic scene to the next, whereas Victorian novelists felt free to write long passages of undramatic summary. ↗
With the marketing pressures driving the book world today, it's much easier to get the author of a memoir on a television show than a serious novelist. ↗
I maintain that if you're a novelist and you go into an art museum, you'll come out a better novelist. And if you paint a picture for an hour you're a better actor at the end of it. ↗
One of the admirable features of British novelists is that they have no scruple about setting their stories in foreign settings with wholly foreign personnel. ↗