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Reading Aloud to My Father I chose the book haphazard from the shelf, but with Nabokov's first sentence I knew it wasn't the thing to read to a dying man: The cradle rocks above an abyss, it began, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. The words disturbed both of us immediately, and I stopped. With music it was the same -- Chopin's Piano Concerto — he asked me to turn it off. He ceased eating, and drank little, while the tumors briskly appropriated what was left of him. But to return to the cradle rocking. I think Nabokov had it wrong. This is the abyss. That's why babies howl at birth, and why the dying so often reach for something only they can apprehend. At the end they don't want their hands to be under the covers, and if you should put your hand on theirs in a tentative gesture of solidarity, they'll pull the hand free; and you must honor that desire, and let them pull it free. ↗
Ridcully was beginning to show certain signs. If he had been a volcano, natives living nearby would be looking for a handy virgin. ↗
It had only been two days – two days – since he’d seen her last, and yet he’d missed her every step of the way. How was that possible? To miss someone you’d scarcely had in your life at all? For all his knowledge, he had no answer, only knew that every moment spent by her side made it that much more difficult to leave again. To accept the incoming battering of noise, the necessary barrenness of his life. The loneliness. He could hear the music of her voice so clearly as she spoke now, every inflection, every intonation. And the world around them, too – birds on the wing and children laughing. Her presence was a continual surprise, one that made him by turns calm and edgy and covetous. And mindful, his responsibilities, self-appointed though they were, crowding back into his mind on a silent sigh. The Descent was still closing in on him, and Dmitri still lived, which meant there was too much left to do and no time for distraction. But still... ↗
In northwest Seattle, there is an immensely popular 'old-fashioned' ice cream parlor. It is modern, spotless, and gleaming, bursting with comfortable looking people on a warm summer evening. The parlor is dedicated to nostalgia, from the old-time decor to the striped candy, the ragtime music, the costumes of the smiling young waiters, the Gibson-girl menu with its gold-rush type, and the open-handed hospitality of the Old West. It serves sandwiches, hamburgers, and kiddie 'samiches,' but its specialty is ice-cream concoctions, all of them with special names, including several so vast and elaborate that they cost several dollars and arrive with so much fanfare that all other activities stop as the waiters join in a procession as guards of honor. Nobody seems to care that the sandwiches and even the ice cream dishes have a curious blandness, so that everything tastes rather alike and it is hard to remember what one has eaten. Nothing mars the insistent, bright, wholesome good humor that presses on every side. Yet somehow there is pathos as well. For these patrons are the descendants of pioneers, of people who knew the frontiers, of men who dared the hardships of Chilkoot Pass to seek gold in the Klondike. That is their heritage, but now they only sit amid a sterile model of the past, spooning ice cream while piped-in ragtime tinkles unheard. ↗
#men
Many today insist that music is amoral, that there is nothing innately good or bad about music itself. They say it is neutral, and only its use determines whether it is good or evil. To a degree this is true, but in a very real way music ceases to be neutral the moment those little black-and-white notes begin to be woven together to produce a certain combinations of sounds that result in the message or world-view that the composer of the music wants to get across. The music itself becomes a statement, even when words are not attached to its message. ↗
#music #worldviews #music
To transform a grimace into a sound sounds impossible, yet it is possible to transform a vision into music, to go outside an enslaved personality, to become impersonal by transforming into sand, into water, into light. ↗
I was only going to shoot you if he was in one band. And only if it had a name like Uncle Toejam's Acid Crematorium or something. But bluegrass is good, and hey, music is MY life too. Maybe I'll actually like the guy (assuming he's around long enough). Just don't write and tell me you're in the process of stirring up some baby Custard-Mustards. ↗
Eddie Money and Johnny Cash should have collaborated. I’d have paid good last name to see them in concert. ↗
If you're a sports star and you say 'faggot' on the courts, you get fined. But if you're in music and you say it 234 times, you get an MTV music award. ↗
