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Read through the most famous quotes by topic #po
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent. ↗
#creative-process #determination #devotion #empowerment #energy
Every night I used to pray that I’d find my people, and finally I did on the open road. We had nothing to lose, nothing to gain, nothing we desired anymore, except to make our lives into a work of art. ↗
#born-to-die #elizabeth-woolridge-grant #life #lyrics #music
The flow. Yeah. Knowing you could step on the court and make it happen. You practiced, sure. But then, when you walked out there, you could just go. You could flow, that was it: you created and you didn't totally know how. You just knew you could, so you did. It wasn't thinking and it wasn't imitating somebody else's moves, though you always looked carefully when you watched good players play. But when you played... it was something you couldn't explain. Neal used to know. It didn't come from thinking about it. ↗
#dance #flow #inspirational #smart #sports
Lovers find secret places inside this violent world where they make transactions with beauty. ↗
#poetry #rumi #rumi-poetry #beauty
Imagination doesn't always make you long for what you cannot have, but rather thrive in what you do not have. ↗
I was tired of playing the child and acting the way many of my friends did - the ones who are afraid that love is impossible without even knowing what love is. If I stayed like that, I would miss out on everything good that these few days with him might offer. ↗
#impossible #love #risk-it #love
How they are all about, these gentlemen In chamberlains' apparel, stocked and laced, Like night around their order's star and gem And growing ever darker, stony-faced, And these, their ladies, fragile, wan, but propped High by their bodice, one hand loosely dropped, Small like its collar, on the toy King-Charles: How they surround each one of these who stopped To read and contemplate the objects d'art, Of which some pieces still are theirs, not ours. Whit exquisite decorum they allow us A life of whose dimensions we seem sure And which they cannot grasp. They were alive To bloom, that is be fair; we, to mature, That is to be of darkness and to strive. ↗
Ha de decirse que para el científico, como convicción primigenia e indecible, hay una línea divisoria muy nítida entre la realidad del mundo que sucede y acaece con total prescindencia de lo que pueda hacerse o moldearse, y la realidad del mundo que se presta a la acción, al arte o al conjuro. Esto es, hay cosas que se dan u ocurren por sí mismas, cosas de naturaleza cabría decir, y cosas que pueden producirse o prevenirse a voluntad. Sin la actitud que envuelve esta convicción, debe afirmarse, no hay lugar para el conocimiento científico, independientemente de que el destino de ese conocimiento al final sea servirle de fundamento al desarrollo de eficientes técnicas para la acción o la manipulación. ↗
