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Read through the most famous quotes by topic #poetry
Terror" There is something About you That seems so young So trusting This is the part of you that I most love And the part of you that I am most frightened to hurt Do you think the German poets When speaking of the terror of love Meant the terror that comes From knowing We can be harmed Or from knowing We have the power to hurt Of these two terrors The second is the greater Humanity's deeper fear Perhaps it is so Even with Americans Who arm their leaders Not for fear of being destroyed But because in disarming them for a moment All the harm done would be exposed Leaving the people Limping home in shame Like Oedipus Who was haunted by mirrors The terror that comes From knowing you have the power to hurt This is the greater fear Perhaps this is why our dogs Can look into our eyes Unflinchingly With unconditional love It is not because they are too stupid to know that someday We may casually break their hearts But because they are wise enough to know that They will never break ours ↗
Pay attention, and use your imagination. ↗
#on-writing #poetry #r-m-engelhardt #writing-life #imagination
Many Americans first fell in love with the poetry of the thirteenth century teacher and spiritual leader Jelalludin Rumi during the early 1990s when the unparalleled lyrical grace, philosophical brilliance, and spiritual daring of his work took modern Western readers completely by surprise. The impact of its soulful beauty and the depth of its profound humanity were so intense that they reportedly prompted numerous individuals to spontaneously compose poetry. ↗
Why Roses Crave Thorns" Petals detach from a wilting bud—a single stem plucked before fully blossomed. They descend in hesitant swirls, too soft and limp to shatter like teardrops. One by one they light to blanket a single shadow below. She is a rose, young and innocent, with beauty incomparable to shame all others. She has flowered enough to stop the observer in his tracks, awestruck. He is compelled to reach out and touch. The petals delight at a silken caress, her bud everything desirable but defenseless—without a sharp edge to make an admirer pause, to warn the intrusive hand. ‘Stay back! Stay back!’ His fingers curl around the stem to tug, and suddenly the rose craves a thorn. It is madness not to want her and yet madness to cut her down. Let the flower thrive and blush to someday flaunt layers of silken favors! But the world will not have it. A single stem is severed in a selfish moment of desire—a yearning to hold and possess. Alone and forgotten her petals cry, raining in hesitant swirls where they accumulate to blanket her shadow below. Dry, withered, craving the thorns. Beautiful no more. ↗
Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes… ↗
BELOVED, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee. There the Loves a circle go, The flaming circle of our days, Gyring, spiring to and fro In those great ignorant leafy ways; Remembering all that shaken hair And how the wingèd sandals dart, Thine eyes grow full of tender care: Beloved, gaze in thine own heart. Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while; For there a fatal image grows That the stormy night receives, Roots half hidden under snows, Broken boughs and blackened leaves. For all things turn to barrenness In the dim glass the demons hold, The glass of outer weariness, Made when God slept in times of old. There, through the broken branches, go The ravens of unresting thought; Flying, crying, to and fro, Cruel claw and hungry throat, Or else they stand and sniff the wind, And shake their ragged wings; alas! Thy tender eyes grow all unkind: Gaze no more in the bitter glass. - The Two Trees ↗
THE FOOL'S PRAYER by: Edward Rowland Sill (1841-1887) HE royal feast was done; the King Sought some new sport to banish care, And to his jester cried: "Sir Fool, Kneel now, and make for us a prayer!" The jester doffed his cap and bells, And stood the mocking court before; They could not see the bitter smile Behind the painted grin he wore. He bowed his head, and bent his knee Upon the Monarch's silken stool; His pleading voice arose: "O Lord, Be merciful to me, a fool! "No pity, Lord, could change the heart From red with wrong to white as wool; The rod must heal the sin: but Lord, Be merciful to me, a fool! "'T is not by guilt the onward sweep Of truth and right, O Lord, we stay; 'T is by our follies that so long We hold the earth from heaven away. "These clumsy feet, still in the mire, Go crushing blossoms without end; These hard, well-meaning hands we thrust Among the heart-strings of a friend. "The ill-timed truth we might have kept-- Who knows how sharp it pierced and stung? The word we had not sense to say-- Who knows how grandly it had rung! "Our faults no tenderness should ask. The chastening stripes must cleanse them all; But for our blunders -- oh, in shame Before the eyes of heaven we fall. "Earth bears no balsam for mistakes; Men crown the knave, and scourge the tool That did his will; but Thou, O Lord, Be merciful to me, a fool!" The room was hushed; in silence rose The King, and sought his gardens cool, And walked apart, and murmured low, "Be merciful to me, a fool! ↗
As the dawn loves the sunlight that must cease Ere dawn again may rise and pass in peace; Must die that she being dead may live again, To be by his new rising nearly slain. So rolls the great wheel of the great world round, And no change in it and no fault is found, And no true life of perdurable breath, And surely no irrevocable death. Day after day night comes that day may break, And day comes back for night’s reiterate sake. Each into each dies, each of each is born: Day past is night, shall night past not be morn? Out of this moonless and faint-hearted night That love yet lives in, shall there not be light? Light strong as love, that love may live in yet? Alas, but how shall foolish hope forget How all these loving things that kill and die Meet not but for a breath’s space and pass by? Night is kissed once of dawn and dies, and day But touches twilight and is rapt away. So may my love and her love meet once more, And meeting be divided as of yore. Yea, surely as the day-star loves the sun And when he hath risen is utterly undone, So is my love of her and hers of me— And its most sweetness bitter as the sea. ↗
And with light lips yet full of their swift smile, And hands that wist not though they dug a grave, Undid the hasps of gold, and drank, and gave, And he drank after, a deep glad kingly draught: And all their life changed in them, for they quaffed Death; if it be death so to drink, and fare As men who change and are what these twain were. And shuddering with eyes full of fear and fire And heart-stung with a serpentine desire He turned and saw the terror in her eyes That yearned upon him shining in such wise As a star midway in the midnight fixed. Their Galahault was the cup, and she that mixed; Nor other hand there needed, nor sweet speech To lure their lips together; each on each Hung with strange eyes and hovered as a bird Wounded, and each mouth trembled for a world; Their heads neared, and their hands were drawn in one, And they saw dark, though still the unsunken sun Far through fine rain shot fire into the south; And their four lips became one burning mouth. ↗
At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in the garden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love. ↗
