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Read through the most famous quotes by topic #poetry
Edie Sedgwick (1943-1971) I don't know how she did it. Fire She was shaking all over. It took her hours to put her make-up on. But she did it. Even the false eye-lashes. She ordered gin with triple limes. Then a limosine. Everyone knew she was the real heroine of Blonde on Blonde. oh it isn't fair oh it isn't fair how her ermine hair turned men around she was white on white so blonde on blonde and her long long legs how I used to beg to dance with her but I never had a chance with her oh it isn't fair how her ermine hair used to swing so nice used to cut the air how all the men used to dance with her I never got a chance with her though I really asked her down deep where you do really dream in the mind reading love I'd get inside her move and we'd turn around and she'd turn around and turn the head of everyone in town her shaking shaking glittering bones second blonde child after brian jones oh it isn't fair how I dreamed of her and she slept and she slept forever and I'll never dance with her no never she broke down like a baby like a baby girl like a lady with ermine hair oh it isn't fair and I'd like to see her rise again her white white bones with baby brian jones baby brian jones like blushing baby dolls ↗
Heav'n from all creatures hides the book of Fate, All but the page prescrib'd, their present state; From brutes what men, from men what spirits know: Or who could suffer Being here below? The lamb thy riot dooms to bleed to-day, Had he thy Reason, would he skip and play? Pleas'd to the last, he crops the flow'ry food, And licks the hand just rais'd to shed his blood. Oh blindness to the future! kindly giv'n, That each may fill the circle mark'd by Heav'n; Who sees with equal eye, as God of all, A hero perish, or a sparrow fall. ↗
Craftsman Ilmarinen wept Every evening for his woman, Weeping sleepless through the nights And fasting through the days; In the early hours complaining, Every morning sighing for her, Lamenting for his lovely lost one, For his dear one in the grave. For a month he swung no hammer, Did not touch the copper handle, and the clinking forge was silent. Said the craftsman Ilmarinen: "I poor fellow, do not know How to live or how survive; Sitting up or lying down Nights are long and time is tedious. I am troubled, low in spirit. 'Lonely are the nights now,lonely And the mornings dreary, dreary. In my sleeping I am troubled, But the waking is the saddest. It's not for evening that I'm lonely, Not for morning that I'm dreary, Not for olden times lamenting, But I'm lonely for my loved one, Dreary for the missing of her, Lamenting for my dark-browed lovely. 'Often in these days it happens, Happens in my midnight dreaming that I stretch my hand out touching, touching something that is nothing... ↗
It could be yesterday when I was less in love I think For I didn’t see you in the mirror behind me while getting dressed. The way your hands couldn’t stay away and our bodies always found their ways back to each other as if they were meant to be together Close. But then it was today and I saw you again in the mirror behind me while getting dressed So I go to sleep tonight alone without actually falling asleep because I’m scared of the moment I will wake up and realise it was just a dream You’re actually gone. Now all I can do is get through to another tomorrow hoping that I will be less in love again Like yesterday But not today. I was never really well with things at all. ↗
where does creativity come from? Creativity comes from the Universe itself. “There is music and poetry in the Universe itself — surely we hear it on planet earth.” And Creativity comes from our joys and sorrows, our deep-hearted experiences. It also comes “from and in the heart of God. All our spiritual traditions the world over agree that creativity follows through the human heart and that it flows from the Divine Heart.” Creativity is seen as a spiritual, inwardly-driven activity, directly influenced by a Higher Power, or God. That is the ultimate in inspiration for me: to know I have “permission” to be creative and to be a creator too. ↗
It is always easy to mock 'distress,' but we are its contemporaries; we are at the endpoint of what Nous, ratio, & Logos, still today the framework for what we are, cannot have failed to show: that murder is the first thing to count on, and elimination the surest means of identification. Today, everywhere, against this black but 'enlightened' background, remaining reality is disappearing in the mire of a 'globalized' world. Nothing, not even the most obvious phenomena, not even the purest, most wrenching love, can escape this era's shadow: a cancer of the subject, whether in the ego or in the masses... ↗
Perhaps there is an idea among Japanese students that one general difference between Japanese and Western poetry is that the former cultivates short forms and the latter longer ones, gut this is only in part true. ↗
