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I don't always set stories in villages, more often in towns. But always in smallish communities because the characters' actions are more visible there, and the dramatic tension is heightened. ↗
The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses. ↗
Some of the most interesting questions needing to be asked today can best be asked on television, or on stage, and they can be wonderful, great dramas, but they won't necessarily be blockbusters. ↗
