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If I could record them and transmit them to the present age, they would constitute nothing more, nowadays, than dead sounds. They would be, in a word, sounds other than what they actually were, and from what their phonographic labels pretended they were – since it's in ourselves that the silence exists. It was while the sounds were still mysterious that it would have been really interesting to render the mystery palpable and transferable. ↗
Briggs was living in Toronto at the time and had started a studio called Thunder Sound. He recorded the Massey Hall show. He thought this live show should have come out right away and was disappointed and disagreed with my decision to instead put out Harvest-he thought it was not as good as the Massey Hall recording. "It's great, Neil," Briggs said. "Put it out there." But that was not to be. When I heard the show thirty-four years later while reviewing tapes for my archive performance series, I was a little shocked-I agreed with David. After listening, I felt his frustration. This was better than Harvest. It meant more. He was right. I had missed it. He understood it. David was usually right, and when I disagreed with him, I was usually wrong. Every time I go into the studio or onstage, he is missed. ↗
