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Yo me dediqué a hacer críticas, muchas veces despiadadas, de la conducta del mexicano - y de la mexicana. El mexicano es el pueblo, pero yo nunca pinté al pueblo como lo pintaban los antiguos caricaturistas, en calidad de eterna e impotente víctima de los poderosos, llamándole 'Juan Pueblo'. Yo incluí al mexicano entre los culpables de lo que ocurre en México. Tal vez el principal culpable. El problema de México es el subdesarrollo, eso es nuestra vergüenza, y de ella somos culpables todos. El subdesarrollo es causado por la desigualdad y la injusticia, tiene como motor descompuesto la ineptitud y en la basura que produce florece, mejor que en ninguna otra parte, la corrupción". ↗
Love has a shape, but no color. You’re probably wondering, “If it’s transparent, how do you know what shape it is?” Good question. Well, for one thing, I put it together, and for another, I’m currently wearing it like body armor (though to the casual observer, I appear naked). ↗
There are many roles that people play and many images that they project. There is, for example, the "nice" man who is always smiling and agreeable. "Such a nice man," people say. "He never gets angry." The facade always covers its opposite expression. Inside, such a person is full of rage that he dares not acknowledge or show. Some men put up a tough exterior to hide a very sensitive, childlike quality. Even failure can be a role. Many masochistic characters engage in the game of failure to cover an inner feeling of superiority. An outward show of superiority could bring down on them the jealous wrath of the father and the threat of castration. As long as they act like failures they can retain some sexuality, since they are not a threat to her father. ↗
