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Read through the most famous quotes by topic #resist
Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile. ↗
بيـدٍ أغلقُ أبوابَ جراحـي * ويدي الأخرى على باب الصبـاح نصل سفاح على حنجرتي * وعلى وجهي تهاويل الأضـاحـي قبضة الجبهة لا تـمهـلـنـي * لـحظة.. مــا بيـن ذبـح وانـذبـاح أنــا أوجـاع ملايـيـن صحت * فصحْت غضبة حـق مستبــاح من رخام الأمس دوى ألمي* يا سدود انتظري دَين اكتساحي أبذر الشمس على مستقبلي * واشج بالليل عن فضل وشاحي فاضربوا أوتاركم في وطني * إنها لعبة قش ورياح حرموا الدوح على بلبله * وأبيحوا لكمو غير المباح سأكيل الصاع بالصاعين لكم * ناقلاً ناري من ساح لساح مخلب الصقر أنا قلمته * أمس. فليكبر على حد سلاحي تتحدى زهرتي دبايةً * فاسحقوها، تزدهر كل بطاحي من محيطي لخليجي لم يزل * صاعداً يكتسح الموت جناحي وطني جنة عدني، وأنا * حارس الجنة من كف وقاح وأرى حولي رؤوساً أينعت * وانا قاطفها باسم جراحي غضبي يحرق من يشعله * غضبي القادم ريحاً بلقاح فافهموا يا سادتي، أخبركم * انني صاح، أعيد القول، صاح ألف هولاكو أنا أغرقتهم * في دياجيري، واطلعت صباحي ينتهي العدوان غيماً عابرا * وأنا أبقى، وحبي، وكفاحي. ↗
Before he'd met Anna, he'd thought he'd known what love was, thought he'd understood about friendship, romance, all of it, but he hadn't - not at all. Until he'd held Anna in his arms, until he'd let her see into his soul, until he'd heard her cry gently when he made love to her for the first time, he'd known nothing. And now, sometimes, when it was just the two of them, when he smelt her hair, caught her eye, he felt as though he knew all there was to know about everything, as though they knew the secret of life. A secret far more powerful than Longevity, far more long-lasting. ↗
We have been waiting for an hour when we see a squad of German soldiers line up on the roadbed alongside the train. Next comes a column of people in civilian clothes. Surely they are Jews. All of them are rather well dressed, with suitcases in their hands as if departing peacefully on vacation. They climb aboard the train while a sergeant major keeps them moving along, “Schnell, schnell.” There are men and women of all ages, even children. Among them I see one of my former students, Jeanine Crémieux. She got married in 1941 and had a baby last spring. She is holding the infant in her left arm and a suitcase in her right hand. The first step is very high above the rocky roadbed. She puts the suitcase on the step and holds on with one hand to the doorjamb, but she can’t quite hoist herself up. The sergeant major comes running, hollers, and kicks her in the rear. Losing her balance, she screams as her baby falls to the ground, a pathetic little white wailing heap. I will never know if it was hurt, because my friends pulled me back and grabbed my hand just as I was about to shoot. Today I know what hate is, real hate, and I swear to myself that these acts will be paid for. ↗
For a moment I am jealous: He has grown up here, fearless, happy. Perhaps he will never even know about the world on the other side of the fence, the real world. For him there will be no such thing. But there will also be no medicine for him when he is sick, and never enough food to go around, and winters so cold the mornings are like a punch in the gut. And someday-unless the resistance succeeds and takes the country back-the planes and the fires will find him. Someday the eye will turn in this direction, like a laser beam, consuming everything in its path. Someday all the Wilds will be razed, and we will be left with a concrete landscape, a land of pretty houses and trim gardens and planned parks and forests, and a world that works as smoothly as a clock, neatly wound: a world of metal and gears, and people going tick-tick-tick to their deaths. ↗
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