In Oxford before the war, I had, with this interest in mind, written a short textbook entitled, An Introduction to Economic Analysis and Policy. It was now my intention to rewrite this work. ↗
Let me back up a little and tell you why I prefer writing to real life: You can rewrite. A novel, for example, can be cleaned up, altered, trimmed, improved. Life, on the other hand, is one big messy rough draft. ↗
You have to write badly to write at all. If it's crappy, I will rewrite it later. But it will be mine. You can hear the resonance of an artist who goes into herself. ↗
So you have to keep waiting and then they give you the script and it's terrible. Then you have to go to the rewrite and they're very upset because you didn't like it. I went through that for seven years. ↗
I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it. ↗
To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.' ↗