#ridge

All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side. ↗

— Marguerite Young

#beauty #before #bridge #end #exist

Sometimes, most times, when I think back to the people that I loved, the person that I was... I feel like I'm reading the pages of a book written about someone else's life. I can't believe that was me. I can't believe that was you. I can't believe there was an us. It's not that I regret it. It just doesn't feel like it happened to me and yet, I can't forget it. I feel like it's still refracting and reflecting back on me, haunting me. Jesus intercepted my mind, my thoughts, my mistakes, my shame. He's changed me from the inside out. But I'm afraid you still see the stain. Lord, let them see my heart, look at You and Your still-in-progress work of art. Help us all to look beyond our burned bridges, charred reputations, scattered shards of memories, and gaze at the One who took on the weight of all the hate to find the freedom in redemption that we all crave. ↗

— Katie Kiesler

#heart #jesus #mistakes #redemption #shame

Coleridge perceived as no one else had done that lesbianism could be a source of the sublime. ↗

— Andrew Elfenbein

#coleridge #lesbianism #stc #sublime #romantic

The Bloomsbury Group has been characterised as a liberal, pacifist, and at times libertine, intellectual enclave of Cambridge-based privilege. The Cambridge men of the group (Bell, Forster, Fry, Keynes, Strachey, Sydney-Turner) were members of the elite and secret society of Cambridge Apostles. Woolf’s aesthetic understanding, and broader philosophy, were in part shaped by, and at first primarily interpreted in terms of, (male) Bloomsbury’s dominant aesthetic and philosophical preoccupations, rooted in the work of G. E. Moore (a central influence on the Apostles), and culminating in Fry’s and Clive Bell’s differing brands of pioneering aesthetic formalism. ‘The main things which Moore instilled deep into our minds and characters,’ Leonard Woolf recalls, ‘were his peculiar passion for truth, for clarity and common sense, and a passionate belief in certain values.’ Increasing awareness of Woolf’s feminism, however, and of the influence on her work of other women artists, writers and thinkers has meant that these Moorean and male points of reference, though of importance, are no longer considered adequate in approaching Woolf’s work, and her intellectual development under the tutelage of women, together with her involvement with feminist thinkers and activists, is also now acknowledged. ↗

— Jane Goldman

#cambridge #literary-criticism #men

Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing. ↗

— Rowan Atkinson

#came #comedy #crowd #doing #half

You're mine, Echo, and I'll treasure you forever. ↗

— Nadège Richards

#burning #courage #friendship #love #relationships

If a man can bridge the gap between life and death, if he can live on after he's dead, then maybe he was a great man. ↗

— James Dean

#between #bridge #dead #death #gap

Some of us find our lives abridged even before the paperback comes out. ↗

— Berkeley Breathed

#before #comes #even #find #lives

I was writing an earnest novel about cruises in the Caribbean and I just started writing 'Bridget Jones' to get some money, to finance this earnest work, and then I chucked it out. ↗

— Helen Fielding

#bridget #bridget jones #caribbean #cruises #earnest

That kind of piece, perhaps most recognizable because of Yoko Ono's similar work, built a bridge between performance art and music - and without raising any awkward social issues. ↗

— Tony Conrad

#art #awkward #because #between #bridge