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#rite

Read through the most famous quotes by topic #rite




I was born to travel and write verse. ↗


— Theophile Gautier


#i #i was born #travel #verse #write

Then the light changed the water, until all about them the woods in the rising wind seemed to grow taller and blow inward together and suddenly turn dark. The rain struck heavily. A huge tail seemed to lash through the air and the river broke in a wound of silver. ↗


— Eudora Welty


#mississippi-authors #mississippi-writers #the-wide-net #change

I learned that the day "The Viper's Drag" slipped from between my fingers. But whatever might be lost or broken or forgotten is nothing compared to the miraculous rebirth that occurs every time the needle hits the groove. Here is Fats Waller Himself, not dead but present, so present that he overwhelms the well-ordered precincts of the living room. The sound sprawls. What vibrates here has more life than any room. ↗


— Geoffrey O'Brien


#musical-favorites #rebirth #vinyl-records #life

Maybe I can learn to live in a way that makes it worth writing about, and maybe I can actually become something more than this empty shell. ↗


— Charlotte Eriksson


#become #change #growing-up #independent #into-the-wild

Flannery O'Connor, in a note to the editor of "Wise Blood" that pertained to changes he wanted to make, wrote "Perhaps I am prematurely arrogant . . . ↗


— Flannery O'Connor


#southern-writers #change

Nothing in language is immutably fixed: the best writers are constantly changing it. ↗


— C. E. Montague


#rewrites #change

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned. ↗


— John Crowley


#creativity #inspiration #novel #poem #poetry

Write to be understood, speak to be heard, read to grow. ↗


— Lawrence Clark Powell


#heard #read #speak #understood #write

A writer is one who communicates ideas and emotions people want to communicate but aren't quite sure how, or even if, they should communicate them. ↗


— Criss Jami


#articulation #communication #controversy #disapproval #emotions

..the writer’s obsession – the desire to know and communicate, or, rather, to know everything so as to communicate with the greatest degree of precision. ↗


— Ivan Klíma


#literature #writers #writing #communication






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