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Allison." I almost collapsed in relief. "Yeah," I whispered, forcing a pained smile as he stared at me as if I were a ghost. "It's me. Damn you, Kanin. You were a pain in the ass to find, you know that?" Kanin didn't answer. Without warning, his hands rose, pressing to either side of my face as I went rigid. His stare was awed, hopeful, as if he couldn't quite believe I was real and had to touch me to make sure I wasn't a phantom. "You're here." I barely caught the whisper, and Kanin's eyes closed again as he bowed his head. It was a broken sound, a man desperately grasping at the last thread of hope, when he had been in the darkness for so long. "You came." And, as I stood, shocked, against the wall of the cell, Kanin sank to his knees in front of me, holding the backs of my legs. The top of his bowed head pressed against my thighs. "You came," he repeated, a chant holding him to sanity. I swallowed the lump in my throat and touched his broad shoulders, biting my lips to keep the tears in check, as the cell door opened with a creak, and the Prince beckoned us both to freedom. ↗
I won’t let you have it. I won’t give you this moment. I won’t let you fill up this valuable organ...I own it. I won’t do it. I can’t think, I won’t think about it. ↗
The sight made her ache. How can I not touch you? she thought hopelessly, and then she was doing it, her fingers on his wrist. He didn't jump or even look at her, just stopped writing. Neither one of them moved, nothing moved, and the whole thing lasted three or four seconds at most, but when Pen took her hand away and started to breathe again, her chest hurt, as though she had been holding her breath for a very long time. ↗
I ignore people who need me and latch on to people who don't. I dive into every other world except my own just because I want something more glamorous than my real life. I do destructive shit so a stupid hypocritical fish will like me. I fall for fish instead of girls. ↗
I could imagine it. I could remember it. But I couldn't see it again, and it occured to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again. ↗
As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. ↗
