Production was what I always wanted to do, even when I was skating. I'm a bit of a sponge. When I was going around competing I was always asking, 'What does that light do?' If you want to be successful, you have to understand what people are doing around you. ↗
There are all sorts of reasons why I don't do much work in the theatre, the main one being that after two performances I feel I've given all I can. I hate repetition, I really do. It's like asking a painter to paint he same picture every day of his life. ↗
If you've been told all your life that you're good-looking, people just flock around you and you never really have to try or have to learn an interesting craft, skill or hobby - or even have depth. ↗
If you have a coach helping you, developing your skills alongside you, that's when you're on your way to becoming not just a participant but achieving. ↗
I mean, I would say I get five or six e-mails every day from people asking, "Is there going to be a Leprechaun 6?' It's probably the most asked question besides, 'Is there going to be a Willow II?' ↗
I wasn't really the most charming person, socially - it took me a long time to develop my people skills - but the one place I was always comfortable was onstage, acting or singing. ↗
Well, I don't know. It's long, it's longer than both of the other books put together, so it's more ambitious. I think I get under the skin of the people a lot more than in the other books. ↗
If the sight of the blue skies fills you with joy, if a blade of grass springing up in the fields has power to move you, if the simple things of nature have a message that you understand, rejoice, for your soul is alive. ↗
I was told I was talented when I applied to Falmouth School of Art and that I should consider skipping the course and proceeding directly to degree level. ↗
