#sm

We came from a family where we ran our own small business. Our dad made his own products. We made our own sausages, our own meatloafs, our own pickles. Dad had to do everything himself. He had to figure out how to finance his business. ↗

— Marcy Kaptur

#came #dad #everything #family #figure

In the First World War, there was the sudden passion of nationalism, and the killing took place because of these emotions. But the Soviet case is different, because you had systematic murder, like the Holocaust. ↗

— Ryszard Kapuscinski

#case #different #emotions #first #first world

Holidays are the best. I couldn't imagine being from a small family. ↗

— Kim Kardashian

#best #family #holidays #i #imagine

Your ass belongs to me. I’ve suffered for it. I’ve loved you forever. I deserve it,” Danny went on, his voice a low mixture of anger and desire. “I don’t ever want you getting from another man what you can get from me. You hear me, Paul Guy, it’s mine. ↗

— Kele Moon

#gay-romance #anger

I like to do projects in which you can see statistical results. I am very happy for all these small children, who have been the biggest group of victims of iodine deficiency. ↗

— Anatoly Karpov

#been #biggest #children #deficiency #group

t this point I would like to return to the question of the plot movement and the different narrative levels of the book. David Lodge raises a crucial issue when he asks 'how Charlotte Brontë created a literary structure in which the domestic and the mythical, the realistic world of social behaviour and the romantic world of passionate self-consciousness, could co-exist with only occasional lapses into incongruity.' As far as the plot and setting go, however, this states the question rather misleadingly, for in fact at Thornfield there begins a progressive plot movement from realism to fantasy. By 'realism' I do not mean the predominance of the every day and commonplace, or an authorial objectivity of treatment, but simply the use of material that the reader can accept as existing in the ordinary world as well, or of events of a kind that might happen in it without being viewed as extraordinary. That is, things that have a face-value currency of meaning prior to any concealed meaning they may hold or suggest. Thus while Gateshead and Lowood School fit neatly into, and contribute importantly to, the symbolic pattern of the book, they are perfectly believable places in their own right. Even the heavy-handed and obvious satire of Mr Brocklehurst and his family does not invalidate him as a credible conception. But with the beginning of the mystery of the Thornfield attic the plot starts moving away from this facevalue actuality. ↗

— Ian Gregor

#family

I never call it an insurgency. I call it terrorism. ↗

— Hamid Karzai

#i #insurgency #never #terrorism

If it is terrorism, if it is war on terror, then the Afghan people will join you on terror. ↗

— Hamid Karzai

#afghan people #join #people #terror #terrorism

Terrorism as a force is gone. As individuals they are all around and we will continue to look for them. ↗

— Hamid Karzai

#continue #force #gone #individuals #look

Terrorism, ladies and gentlemen, in my eyes I have a very, very, very simple explanation. Gangs of criminals, killers, used unfortunately by certain governments in the past for political purposes, who are on their own now as gangs. ↗

— Hamid Karzai

#criminals #explanation #eyes #gangs #gentlemen