#soundtrack

There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music. ↗

— Jonny Greenwood

#been #connection #favorite #film #french

I've done lots of songs for film soundtracks and things like that - stuff I'm not ashamed of, but that doesn't represent my legacy with the Pretenders. ↗

— Chrissie Hynde

#done #film #i #legacy #like

Sometimes I like to play the soundtracks to famous musicals so we can all sing along. South Pacific is one of my favorites. Our neighbors must hate us. ↗

— Louise Brown

#famous #favorites #hate #i #like

Everyone wants to get into soundtracks. Everyone wants to do songs here and there. But, I think they want it for different reasons. I think I'm just tumbling through my life, enjoying playing with everybody. ↗

— Liz Phair

#different reasons #enjoying #everybody #everyone #get

And um, when I came back to England I put a very complex soundtrack on it, featuring everyone from Jimi Hendrix, right through to Neil Diamond, you know, everybody that was kind of popular who was kind of popular at that time. ↗

— Gerald Scarfe

#came #complex #diamond #england #everybody

The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone. ↗

— Bret Easton Ellis

#soundtrack #music

“You’ll have to excuse my shock. When the most gorgeous woman I’ve ever seen tells me she’s a virgin… I think I’ve just hit the lottery...” - Jonathan di Luca ↗

— R. Matthews

#her-soundtrack #romance-love #smut #love

We were contracted to make a soundtrack album but there really wasn't enough new material in the movie to make a new record that I thought was interesting. ↗

— Roger Waters

#contracted #enough #i #interesting #make

Usually, in romantic comedies, you end up sacrificing a great deal of the complexity - you know, just two attractive people and a good soundtrack. ↗

— Timothy Olyphant

#attractive people #comedies #complexity #deal #end

The movies, I thought, have got the soundtrack to war all wrong. War isn't rock 'n' roll. It's got nothing to do with Jimi Hendrix or Richard Wagner. War is nursery rhymes and early Madonna tracks. War is the music from your childhood. Because war, when it's not making you kill or be killed, turns you into an infant. For the past eight days, I'd been living like a five-year-old — a nonexistence of daytime naps, mushy food, and lavatory breaks. My adult life was back in Los Angeles with my dirty dishes and credit card bills. ↗

— Chris Ayres

#soundtrack #war #food