#spear

All's well if all ends well. ↗

— William Shakespeare

#shakespeare

The game is afoot. ↗

— Arthur Conan Doyle

#sherlock-holmes #adventure

Sweet are the uses of adversity Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head. ↗

— William Shakespeare

#shakespeare #adversity

This building fool could only be Bess of Hardwicke, a woman whose name is seldom seen in print without the word “redoubtable” in front of it. I wondered if anyone ever called her redoubtable to her face. I redoubted it. ↗

— Joann Spears

#historical-fiction #six-of-one-by-joann-spears #tudors #women-s-humor #historical-fiction

Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice. On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from. ↗

— John Fowles

#distance #othello #outgrowing-others #personal-growth #reference-to-shakespeare

Shakespeare’s enduring tragedy did its part to further the goals of the Mercenaries—glamorizing death, making dying for love seem the most noble act of all, though nothing could be further from the truth. Taking an innocent life—in a misguided attempt to prove love or for any other reason—is a useless waste. ↗

— Stacey Jay

#love #shakespeare #death

Shakespeare said pretty well everything and what he left out, James Joyce, with a judge from meself, put in. ↗

— Brendan Behan

#james #james joyce #joyce #judge #left

This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? ↗

— William Shakespeare

#piece-of-work #quintessence-of-dust #shakespeare #soliloquy #william-shakespeare

In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced. ↗

— Andrew Coyle Bradley

#always #convenience #deliberately #devices #did

When Shakespeare begins his exposition thus he generally at first makes people talk about the hero, but keeps the hero himself for some time out of sight, so that we await his entrance with curiosity, and sometimes with anxiety. ↗

— Andrew Coyle Bradley

#anxiety #await #begins #curiosity #entrance