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London is a fantastic creator of jobs - but many of these jobs are going to people who don't originate in this country.


Boris Johnson


#creator #fantastic #going #jobs #london

Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.


Edie Falco


#been #career #enough #good #hooked

What I worry about is that people are losing confidence, losing energy, losing enthusiasm, and there's a real opportunity to get them into work.


Boris Johnson


#confidence #energy #enthusiasm #get #i

Don't remember me as too nice or beautiful or funny, because then you'll be disappointed.


Celia Johnson


#because #disappointed #funny #me #nice

Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story’s silent twin. There are so many things that we can’t say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent. Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.


Jeanette Winterson


#narrative #silence #storytelling #trauma #truth

I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.


Denis Johnson


#back #double #first #i #kind

In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.


Denis Johnson


#anything #concerned #crazy #facts #get

Every once in a while I get the highly inappropriate proposal which is like, 'Wow, Really! You don't even know me and I don't know you at all, and you want that to happen? Tonight? Ok, I get off work at 7.30.'


Dwayne Johnson


#every #get #happen #highly #i

I love the 3D revolution. I love the technology today that continues to push the envelope, continues break the new ground, and continues to raise the bar.


Dwayne Johnson


#break #continues #envelope #ground #i

I came up in a family oriented towards the sick, so I always felt an obligation for doing something.


Eddie Bernice Johnson


#came #doing #family #felt #i






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