I have this complex. I don't like too much exposure. I don't know why it is. Maybe it's bred in me, because my dad always told me to be humble and don't think you're too good. ↗
I never say too much about that in public interviews, because it disappoints the public to tell them you're not that crazy about a property you did that possibly they liked. ↗
I thought if I wanted people to take me seriously, I needed to act serious and not reveal too much of my private life so people could seriously accept me in different things. ↗
So I don't really focus too much on that, and I think it's dangerous if your goal in life is to get the other guy, then you're not going to be doing a really quality job yourself. ↗
From beginning to end it's about keeping the energy and the intensity of the story and not doing too much and not doing too little, but just enough so people stay interested and stay involved in the characters. ↗
What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy. ↗
The estimated loss of up to six million dead is founded too much on both emotional, biased testimonies and on exaggerated data in the postwar reckonings of war crimes and on the squaring of accounts with the defeated. ↗
