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Read through the most famous quotes by topic #trees
The three species of pine native to Wisconsin (white, red and jack) differ radically in their opinions about marriageable age. The precocious jackpine sometimes bloom and bears cones a year or two after leaving the nursery, and a few of my 13-year-old jacks already boast of grandchildren. My 13-year-old reds first bloomed this year, but my whites have not yet bloomed; they adhere closely to the Anglo-Saxon doctrine of free, white, and twenty-one. ↗
The trees around and overhead were so thick that it was always dry inside and on Sunday morning I lay there with Jonas, listening to his stories. All cat stories start with the statement: "My mother, who was the first cat, told me this," and I lay with my head close to Jonas and listened. There was no change coming, I thought here, only spring; I was wrong to be so frightened. The days would get warmer, and Uncle Julian would sit in the sun, and Constance would laugh when she worked in the garden, and it would always be the same. Jonas went on and on ("And then we sang! And then we sang!") and the leaves moved overhead and it would always be the same. ↗
From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom…It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep. ↗
Voll Blüten steht der Pfirsichbaum nicht jede wächst zur Frucht sie schimmern hell wie Rosenschaum durch Blau und Wolkenflucht. Wie Blüten geh'n Gedanken auf hundert an jedem Tag -- lass' blühen, lass' dem Ding den Lauf frag' nicht nach dem Ertrag! Es muss auch Spiel und Unschuld sein und Blütenüberfluss sonst wär' die Welt uns viel zu klein und Leben kein Genuss. ↗
ANOTHER TWILIGHT Allow the point of the Croccodrillo its hazy cypress trees in profile Like a rough sketch for the Isle of the Dead, as seen from yellow stucco, his Villa Igea where Lawrence finished "Sons and Lovers," wild thyme scenting olive-grove grass, crime scenery come back to more than once. Again you're mirrored in lake shadow, a white sail flaking on its turquoise wavelets, keep awake by traffic noise Along the Gardesana...and you know that this beauty's unbearable as before even if seen from its opposite shore. ↗
