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There is a master way with words which is not learned but is instead developed: a deaf man develops exceptional vision, a blind man exceptional hearing, a silent man, when given a piece of paper... ↗
You will remember that I remarked the other day, just before we went into the very simple problem presented by Miss Mary Sutherland, that for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination.” “A proposition which I took the liberty of doubting.” “You did, Doctor, but none the less you must come round to my view, for otherwise I shall keep on piling fact upon fact on you until your reason breaks down under them and acknowledges me to be right. ↗
Is everyone with one face called a Milo?" "Oh no," Milo replied; "some are called Henry or George or Robert or John or lots of other things." "How terribly confusing," he cried. "Everything here is called exactly what it is. The triangles are called triangles, the circles are called circles, and even the same numbers have the same name. Why, can you imagine what would happen if we named all the twos Henry or George or Robert or John or lots of other things? You'd have to say Robert plus John equals four, and if the four's name were Albert, things would be hopeless." "I never thought of it that way," Milo admitted. "Then I suggest you begin at once," admonished the Dodecahedron from his admonishing face, "for here in Digitopolis everything is quite precise. ↗
My head was a desolate place and as barren as the bare hills of Le Marche. Until I began to build in it, only vultures nested there. ↗
The Fly Little Fly Thy summers play, My thoughtless hand Has brush'd away. Am not I A fly like thee? Or art not thou A man like me? For I dance And drink & sing: Till some blind hand Shall brush my wing. If thought is life And strength & breath: And the want Of thought is death; Then am I A happy fly, If I live, Or if I die ↗
You will never make a good impression on other people until you stop thinking about what sort of impression you are making. Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it... Give up yourself, and you will find your real self. ↗
