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Hey, hey, just a little scare.” Said Nico, backing away from a very guarded Katty. “Gotta get used to those if your going to be a Vampire. Just wanted to see if you were on your game. As far as I can tell, you are.” Katty immediately retreated, putting her dagger back inside of her purse. Now instead of stabbing Nico in his chest, she slapped him hard across his arm. “Jerk! Don't ever do that again! You nearly gave me a heart attack!” After her heart stopped fluttering for a moment, Katty drew her attention towards Nico and what he was wearing. Nico was lookin' pretty hot tonight. Jumping out and scaring her, now took second place. For what she saw before her was nothing less than a dark, Gothic dream. Mmm...oh yes..Yum..Yum..Yum! ↗
If we can't have the courage to tell our constituents, hey, we've got to cut back, then if we can point to something and say, I would like to vote for more benefits for you, but this balanced budget amendment or statutory spending cap or whatever the device is, is preventing me from doing it. ↗
#back #balanced #balanced budget #balanced budget amendment #benefits
Lacan, as we have seen in our discussion of Freud, regards the unconscious as structured like a language. This is not only because it works by metaphor and metonymy: it is also because, like language itself for the post-structuralists, it is composed less of signs — stable meanings — than of signifiers. If you dream of a horse, it is not immediately obvious what this signifies: it may have many contradictory meanings, may be just one of a whole chain of signifiers with equally multiple meanings. The image of the horse, that is to say, is not a sign in Saussure’s sense - it does not have one determined signified tied neatly to its tail - but is a signifier which may be attached to many different signifieds, and which may itself bear the traces of the other signifiers which surround it. (I was not aware, when I wrote the above sentence, of the word-play involved in ‘horse’ and ‘tail’: one signifier interacted with another against my conscious intention.) The unconscious is just a continual movement and activity of signifiers, whose signifieds are often inaccessible to us because they are repressed. This is why Lacan speaks of the unconscious as a ‘sliding of the signified beneath the signifier’, as a constant fading and evaporation of meaning, a bizarre ‘modernist’ text which is almost unreadable and which will certainly never yield up its final secrets to interpretation. ↗
