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Such is the influence which the condition of our own thoughts, exercises, even over the appearance of external objects. Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision. ↗
Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion. ↗
At such moments the collapse of their courage, willpower, and endurance was so abrupt that they felt they could never drag themselves out of the pit of despond into which they had fallen. Therefore they forced themselves never to think about the problematic day of escape, to cease looking to the future, and always to keep, so to speak, their eyes fixed on the ground at their feet. But, naturally enough, this prudence, this habit of feinting with their predicament and refusing to put up a fight, was ill rewarded. For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when by conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between these heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to root themselves in the solid earth of their distress. ↗
Anyone who thinks cryptozoology is the study of the impossible has never really taken a very good look at the so-called "natural world." Once you get past the megamouth sharks, naked mole rats, and spotted hyenas, then the basilisks, dragons, and cuckoos just don't seem that unreasonable. Unpleasant, yes, but unreasonable? Not really. ↗
Perfection: a collection of a variety of pieces that, when viewed and felt individually, are difficult and confusing; but when brought together as one, create a perfect picture. Symphony, harmony, serenity. ↗
#harmony #perfection #perfection-and-confusion #serenity #symphony
Audiences often ask if characters are based on real people. Indeed the impulse of the amateur is to write about who one knows. The professional on the other hand understands the impossibility of such a task. The creator of the character must know more about the character than anyone could ever possibly know about a real person. The author must possess the complete knowledge; what the person was wearing on Christmas morning when he or she was five, what presents he or she received, and who gave them and how they were given. A "character" therefore is a real person who exists in another plane, a parallel universe based on the author's perceptions of reality. When it comes to people don't write about who you know but what you know of human nature. ↗
Holiness appeared to me to be of a sweet, pleasant, charming, serene, calm nature; which brought an inexpressible purity, brightness, peacefulness and ravishment to the soul. ↗
When it comes to judging individuals, I do not like remarks such as 'too good to be true.' They speak as though one is rewarding the nature of evil. Yet, ironically, we still wonder where all the good people have gone. ↗
#bad-people #chances #discernment #evil #good
