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To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential. ↗
We look to the history of the time of framing and to the intervening history of interpretation. But the ultimate question must be, what do the words of the text mean in our time. ↗
Impian itu seperti sayap. Dia membawamu pergi ke berbagai tempat. Kurasa, mamamu sadar akan hal itu. Dia tahu, kalau dia mencegah mimpimu, itu sama aja dengan memotong sayap burung. Burung tersebut memang nggak akan lari, tapi burung tanpa sayap sudah bukan burung lagi. Dan manusia tanpa mimpi, sudah bukan manusia lagi. ↗
