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If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more. ↗
I often ask, "What do you want to work at? If you have the chance. When you get out of school, college, the service, etc." Some answer right off and tell their definite plans and projects, highly approved by Papa. I'm pleased for them* but it's a bit boring, because they are such squares. Quite a few will, with prompting, come out with astounding stereotyped, conceited fantasies, such as becoming a movie actor when they are "discovered" "like Marlon Brando, but in my own way." Very rarely somebody will, maybe defiantly and defensively, maybe diffidently but proudly, make you know that he knows very well what he is going to do; it is something great; and he is indeed already doing it, which is the real test. The usual answer, perhaps the normal answer, is "I don't know," meaning, "I'm looking; I haven't found the right thing; it's discouraging but not hopeless." But the terrible answer is, "Nothing." The young man doesn't want to do anything. I remember talking to half a dozen young fellows at Van Wagner's Beach outside of Hamilton, Ontario; and all of them had this one thing to say: "Nothing." They didn't believe that what to work at was the kind of thing one wanted. They rather expected that two or three of them would work for the electric company in town, but they couldn't care less, I turned away from the conversation abruptly because of the uncontrollable burning tears in my eyes and constriction in my chest. Not feeling sorry for them, but tears of frank dismay for the waste of our humanity (they were nice kids). And it is out of that incident that many years later I am writing this book. ↗
There are a few other things. Weesee, when she used that word, Loup-garou, was right, at least in a sense. The word means werewolf.' Whitaker protested with a gasp of astonishment. 'They don't exist,' he said sharply, jolted by a memory of old movies. The doctor replied quickly: 'No, of course not. Not that way, not like some monster, a vampire or some such' 'What's the matter with him?' The doctor spoke softly, unwilling to stop until he had talked out the whole scope of the problem. 'It is a type of encephalitis. Uncommon, but there, as solidly classified in medical literature as measles. Late effects of acute infectious encephalitis, lycanthropy, to be exact. Once it was called a form of monomania. Morbus lupinus is another name.' 'You will have to hunt him down. Then he will have to be kept in a cell, for a long time, under strong drugs, probably until he dies.' De Glew touched his throat, cleared it slightly. 'The alternative is that you hunt him down and kill him. He will kill, Aaron.' 'Won't it pass?' asked Whitaker incredulously. 'I don't think so, not permanently. And pass for how long? Suppose he is only mad one day out of four.' The doctor paused. 'Or when the moon is full. Or when he sees it full in his mind's eye. ↗
Nice piano," I said. "Do you play?" "oh no, but Edwart does!" Eva Mullen said. "A little," Edwart said sheepishly. "Go ahead, play!" Eva said. She picked up the triangle that was lying on the piano and handed it to Edwart. He started banging on it. It sounded like construction work very early in the morning. "Whoops. I messed up. Let me start over," he said. He started banging again. "Wait. Uh. I haven't practiced in a while. Let me start over." Edwart continued to bang the triangle. Eva closed her eyes and raised her arms, swaying rhythmically to Edwart's music. Edwart held the triangle up high, in what appeared to be a grand finish, but then he brought it down hard, hitting the top of the piano. He continued to bang the piano, putting the entire force of his slim body into each smash. The piano shook. The room vibrated. When he finished I subtly removed my hands from my ears. "I wrote that for you," Edwart murmured, drawing me close. "It's called Belle's Lullaby. ↗
Though it's fearful, Though it's deep, though it's dark And though you may lose the path, Though you may encounter wolves, You can't just act, You have to listen. you can't just act, You have to think. Though it's dark, There are always wolves, There are always spells, There are always beans, Or a giant dwells there. So into the woods you go again, You have to every now and then. Into the woods, no telling when, Be ready for the journey. Into the woods, but not too fast or what you wish, you lose at last. Into the woods, but mind the past. Into the woods, but mind the future. Into the woods, but not to stray, Or tempt the wolf, or steal from the giant-- The way is dark, The light is dim, But now there's you, me, her, and him. The chances look small, The choices look grim, But everything you learn there Will help when you return there. The light is getting dimmer.. I think I see a glimmer-- Into the woods--you have to grope, But that's the way you learn to cope. Into the woods to find there's hope Of getting through the journey. Into the woods, each time you go, There's more to learn of what you know. Into the woods, but not too slow-- Into the woods, it's nearing midnight-- Into the woods to mind the wolf, To heed the witch, to honor the giant, To mind, to heed, to find, to think, to teach, to join, to go to the Festival! Into the woods, Into the woods, Into the woods, Then out of the woods-- And happy ever after! ↗
Somewhere there are gardens where peacocks sing like nightingales, somewhere there are caravans of separated lovers traveling to meet each other; there are ruby fires on distant mountains, and blue comets that come in spring like sapphires in the black sky. If this is not so, meet me in the shameful yard, and we will plant a gallows tree, and swing like sad pendulums, never once touching. ↗
He writes the worst English that I have ever encountered. It reminds me of a string of wet sponges; it reminds me of tattered washing on the line; it reminds me of stale bean soup, of college yells, of dogs barking idiotically through endless nights. It is so bad that a sort of grandeur creeps into it. It drags itself out of the dark abysm of pish, and crawls insanely up the topmost pinnacle of posh. It is rumble and bumble. It is flap and doodle. It is balder and dash. (writing about US President Warren G. Harding) ↗
THE LILIES This morning it was, on the pavement, When that smell hit me again And set the houses reeling. People passed like rain: (The way rain moves and advances over the hills) And it was hot, hot and dank, The smell like animals, strong, but sweet too. What was it? Something I had forgotten. I tried to remember, standing there, Sniffing the air on the pavement. Somehow I thought of flowers. Flowers! That bad smell! I looked: down lanes, past houses-- There, behind a hoarding, A rubbish-heap, soft and wet and rotten. Then I remembered: After the rain, on the farm, The vlei that was dry and paler than a stone Suddenly turned wet and green and warm. The green was a clash of music. Dry Africa became a swamp And swamp-birds with long beaks Went humming and flashing over the reeds And cicadas shrilling like a train. I took off my clothes and waded into the water. Under my feet first grass, then mud, Then all squelch and water to my waist. A faint iridescence of decay, The heat swimming over the creeks Where the lilies grew that I wanted: Great lilies, white, with pink streaks That stood to their necks in the water. Armfuls I gathered, working there all day. With the green scum closing round my waist, The little frogs about my legs, And jelly-trails of frog-spawn round the stems. Once I saw a snake, drowsing on a stone, Letting his coils trail into the water. I expect he was glad of rain too After nine moinths of being dry as bark. I don't know why I picked those lilies, Piling them on the grass in heaps, For after an hour they blackened, stank. When I left at dark, Red and sore and stupid from the heat, Happy as if I'd built a town, All over the grass were rank Soft, decaying heaps of lilies And the flies over them like black flies on meat... ↗
