#woo

I don't find Hollywood interesting, so I'm thinking of studying architecture instead. ↗

— Hayden Christensen

#find #hollywood #i #instead #interesting

The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify(by their own lonesome familiarity) to this feeling. Taip būna miškuose, jie visada atrodo pažįstami, kadai prarasti, išblukę lyg seniai mirusio giminaičio veidas, tartum sena svajonė, tarsi nuotrupa pamirštos dainos, plaukiančios virš vandens, o labiau už viską - tarsi auksinės praėjusios vaikystės amžinybės ar preėjusios brandos, ir visa, kas gyva, visa, kas mirę, visa širdgėla, ištikusi prieš milijoną metų, ir debesys, plaukiantys tau virš galvos, liudija savo vienišu artimumu šį jausmą. ↗

— Jack Kerouac

#feelings-of-overwhelm #memories #reflections #woods #dreams

Never, ever, have I felt really accepted in Hollywood. ↗

— Sally Field

#ever #felt #hollywood #i #never

But by the time you get there and you get home, it winds up being a lot of time out. So I'm getting the itch to build, I know that. I keep looking at my stacks of wood and what I can do with it. ↗

— Guy Clark

#build #by the time #get #getting #home

Hollywood and the recording industry argue that current law permits the copying of songs and movies, and sharing them on the Internet. This enables young people to grow up learning how to steal. ↗

— Suzanne Fields

#copying #current #current law #enables #grow

Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter. ↗

— Barry N. Malzberg

#cornell-woolrich #fantastic #gothic #horror #noir

Hollywood still makes things. We still export a couple billion dollars' worth of product overseas. Original, new product. Some people might not agree that it's original or new, but basically it is. ↗

— George Clooney

#basically #billion #couple #dollars #export

I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night. I want to stir the pulse, yes, but also to stir the heart. I hope 'The Woods' does that. ↗

— Harlan Coben

#all night #also #am #attention #awake

There are too many souls of wood not to love those wooden characters who do indeed have a soul. ↗

— Jean Cocteau

#indeed #love #many #soul #souls

That's one thing about Hollywood. People don't always want what's real. People always want a little more. So for me, it's a compromise. Here you go, that hyper-reality. ↗

— Paul Walker

#always #compromise #go #here #hollywood