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Cordelia loved his explanations. She loved knowing words that belonged to things she'd never seen, even to things you couldn't see at all. She remembered those words carefully. "Magic," George had said, "is something unnatural, something that doesn't really exist. If I snap my fingers and Othello suddenly turns white, that's magic. If I fetch a bucket of paint and paint him white, it isn't." He laughed, and for a moment it looked as if he felt like snapping his fingers or fetching that bucket. Then he went on, "Everything that looks like magic is really a trick. There's no such thing as magic." Cordelia grazed with relish. "Magic" was her favorite word - for something that didn't exist at all. ↗
Try telling the boy who’s just had his girlfriend’s name cut into his arm that there’s slippage between the signifier and the signified. Or better yet explain to the girl who watched in the mirror as the tattoo artist stitched the word for her father’s name (on earth as in heaven) across her back that words aren’t made of flesh and blood, that they don’t bite the skin. Language is the animal we’ve trained to pick up the scent of meaning. It’s why when the boy hears his father yelling at the door he sends the dog that he’s kept hungry, that he’s kicked, then loved, to attack the man, to show him that every word has a consequence, that language, when used right, hurts. ↗
