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Read through the most famous quotes by topic #writing
It was all too easy to make things up, it was like skating on thin ice, it was like doing dainty pirouettes on a brittle crust over water thousands of fathoms deep. ↗
People often ask me what advice I have for writers, and I reply that the most important responsibility I believe a writer has is to his or her personal truth. Don't be misled by the best seller lists. Just do what feels true to you. Speak your heart, however strange or revelatory it is. Don't be ashamed of how your imagination works. What a reader wants to discover in a book is what you hold uniquely in your head."I think making stories which touch people deeply is always hard. I've been writing plays and books for 20 years and I still go to my desk every morning with a mixture of excitement and dread. ↗
The magic in writing is not so much using your imagination as it is allowing the reader to uses theirs. When I write a novel I’m not going to hand walk you through each scene. Avid readers tend to have very high IQ’s so I’m constantly aware of, and respect that. I have a tendency to give my readers vivid descriptions of panoramic viewpoints, soft breezes, and the late evening as it scrapes against the emerging night and present this step by suspenseful step. Once I get them to the threshold of that unseen cliff, I shove them off and say, take it from there. ↗
#cliff #imagination #iq #novels #readers
The difference between travel writing as fiction is the difference between recording what the eye sees and discovering what the imagination knows. Fiction is pure joy - how sad that I could not reinvent the trip as fiction. ↗
For people never say anything the same way twice; no two of them ever say it the same. The greatest imaginative writer that ever brooded in a lavender robe and a mellowed briar in his teeth, couldn't tell you, though e try for a lifetime, how the simplest strap-hanger will ask the conductor to be let off at the next stop. ... It is all for the taking. All the manuals by frustrated fictioneers on how to write can't give you the first syllable of reality, at any cot, that any common conversation can. All the classics, read and re-read, can't help you catch the ring of truth as does the word heard first-hand. ↗
The Calling means so much to me. It's this idea of perception and how the mythology of the universe and Earth have played out and how I get to re-write that based on my imagination and some of my true feelings. It's about being a man pushing 35 and not having a sense of direction. It's about finding love and being totally unwilling to let it go. - About Qualia ↗
Oh God how subtle he would have to be, how cunning... No paragraph, no phrase even of the thousands the book must contain could strike a discordant note, be less than fully imagined, an entire novel's worth of thought would have to be expended on each one. His attention had only to lapse for a moment, between preposition and object, colophon and chapter heading, for dead spots to appear like gangrene that would rot the whole. Silkworms didn't work as finely or as patiently as he must, and yet boldness was all, the large stroke, the end contained in and prophesied by the beginning, the stains of his clouds infinitely various but all signifying sunrise. Unity in diversity, all that guff. An enormous weariness flew over him. The trouble with drink, he had long known, wasn't that it started up these large things but that it belittled the awful difficulties of their execution. ("Novelty") ↗
People won't see Imagination in something that doesn't relate to their experience because of their own mental limitations. I want people to escape the expected and ordinary, to escape the regular expectations of a story, and truly step into a different world of literature. ↗
Ron Carlson says, 'The most undervalued craft device that fiction writers need is empathy. You need to be able to actually imagine what your characters are going through. You've got to stay close. When you're in a story and dealing with people you're not certain of, or you've just come to meet because they've stepped into your story, it's very important to go slow and sit in their chair.' As Carlson also says, you don't have to love the people or the characters you write about, but they should be at least as smart as you. Look beyond stereotypes. ↗
It’s hard to land a devastating jab/cross/hook/uppercut combo to your reader’s imagination when you’re telegraphing your punches. ↗
